SAEM-24x4x100 - 24 Channel XLR Color Coded Snake Cable - 100 Feet

$489.99

SAEM-24x4x100 - 24 Channel XLR Color Coded Snake Cable - 100 Feet

$489.99

The SAEM-24x4x100 is built for live sound engineers, touring bands, and venues that need reliable multi-channel signal routing over long distances. This professional snake cable handles 24 input channels plus 4 monitor returns in a single run, eliminating cable clutter on stage while maintaining signal integrity across 100 feet.

At its core, this snake simplifies complex live sound setups by consolidating 28 XLR connections into one heavy-duty cable run. The steel stage box organizes all your microphone inputs with clear numerical labeling and writable surfaces for custom channel identification during shows.

Each of the 24 pairs uses 22-gauge conductors with individual shielding to reject interference and maintain clean signal paths from stage to mixing console. The color-coded and numbered fantail connects directly to your mixer's XLR inputs, while the 4 XLR female returns handle monitor sends back to stage. The 56-pound construction reflects the heavy-duty materials needed for consistent performance under road conditions.

This configuration works well for mid-sized venues up to 500 capacity, outdoor festivals, church installations, and touring acts that need professional signal distribution. The 24-channel capacity handles full drum kits, vocal groups, and multi-instrument bands with room for expansion. The 100-foot length covers most stage-to-FOH distances without requiring additional cable runs.

Setup requires XLR microphone cables at the stage box and standard XLR connections at your mixing console. The snake includes strain relief at both ends and arrives ready for immediate deployment.

Backed by Seismic Audio's one-year warranty with fast shipping to get your rig connected and running professionally.

Technical Specifications

Spec Value
Model SAEM-24x4x100
Sends 24 XLR Male Connectors
Returns 4 XLR Female Connectors
Length 100 Feet
Weight 56 lbs
Conductor Gauge 22 AWG
Shielding 100% individually shielded pairs
Stage Box Construction Heavy duty steel with handle
Stage Box Features Numerical labels, white labeling surface per channel
Fantail Features Color coded and numerically labeled
Connectors High quality XLR at both ends
Strain Relief Heavy duty at both ends
Warranty One Year
Recommended For Live venues, touring acts, church sound systems

Frequently Asked Questions

How many people can this snake handle for live sound?

This 24-channel snake works well for venues up to 500 people, depending on your band size and mixing requirements. The 24 inputs can handle a full drum kit (8-10 channels), multiple vocals (4-6 channels), guitars, bass, and keyboards with room for additional instruments. The 4 monitor returns provide sufficient stage monitoring for most mid-sized performances.

What cables do I need to connect this snake to my equipment?

You'll need standard XLR microphone cables to connect from your mics and instruments to the stage box inputs. At the mixing console end, the snake's XLR connectors plug directly into your mixer's mic inputs - no adapters required. The 4 return channels connect to your mixer's monitor or auxiliary outputs using standard XLR cables.

Can I use this snake for permanent installation in a church or venue?

Yes, the heavy-duty steel construction and individually shielded pairs make this snake suitable for permanent installation. The stage box includes writable surfaces above each channel for custom labeling, which is particularly useful for fixed installations where specific inputs are dedicated to particular instruments or microphone positions.

How does the 24x4 configuration compare to a 16-channel snake?

The 24-channel capacity gives you 50% more inputs than a 16-channel snake, which matters for larger bands or complex setups. Most 4-piece bands can work with 16 channels, but if you're recording drums with multiple mics, have keyboard players with multiple outputs, or run backing tracks, the extra 8 channels prevent you from running out of inputs during important performances.

Is 100 feet long enough for most venue setups?

100 feet covers the stage-to-mixing-console distance in most small to mid-sized venues, outdoor festivals, and church installations. This length works for venues where the mixing position is in the middle or back of the audience area. If your mixing console is located significantly further than 100 feet from the stage, you'll need a longer snake or additional cable runs.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov
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