The SARLX-12x10 is built for bands, mobile DJs, and sound engineers who need reliable stage-to-mixer routing without cable chaos. This 12-channel XLR snake cable streamlines your setup by bundling all your mic and line connections into one organized multicore run.

With 12 female XLR inputs on one end and 12 male XLR outputs on the other, this snake handles everything from drum mics to vocal channels to direct boxes. The 10-foot length works perfectly for smaller stages, rehearsal rooms, and mobile rigs where you need clean signal flow without excess cable.

Each channel uses 22 AWG copper conductors with proper shielding to minimize noise and interference. Color-coded and numerically labeled channels let you identify connections instantly during setup and teardown. The balanced XLR design maintains signal integrity across the run, keeping your mix clean and professional.

Perfect for small to medium venues up to 200 people, house of worship applications, and studio control room patching. Mobile performers appreciate the organized approach to stage wiring, while permanent installations benefit from the snake's durability and clear labeling system.

Connects directly between your stage inputs and mixing console XLR inputs. No additional adapters needed — just plug in and route your signals. The cable comes ready to use with all connections terminated and tested.

Backed by Seismic Audio's 1-year warranty with fast shipping nationwide. Professional-grade construction at a price point that works for working musicians.

Technical Specifications

Frequently Asked Questions

What size venue can this 12-channel snake handle?

This 10-foot snake works best for small to medium venues up to 200 people, rehearsal spaces, and mobile setups where the mixer is relatively close to the stage. The length is ideal for church services, small club gigs, and practice rooms where you don't need long cable runs.

Do I need any adapters to connect this snake to my mixer?

No adapters needed. The female XLR ends connect to your microphones, instruments, and direct boxes on stage, while the male XLR ends plug directly into your mixing console's XLR inputs. This is standard balanced audio wiring that works with all professional mixers.

How does the color coding and labeling system work?

Each of the 12 channels has a unique color and is numerically labeled from 1-12. This makes it easy to identify which stage input connects to which mixer channel, especially during quick setup changes or when multiple people are handling the cables during load-in.

Can I use this snake for both microphones and line-level signals?

Yes, XLR connections handle both mic-level and line-level balanced signals. You can run vocal mics, instrument mics, direct boxes from keyboards or guitars, and line outputs from stage racks or processors through the same snake without any issues.

What's the difference between this 10-foot version and the 15-foot snake?

The only difference is length. Both use the same 22 AWG copper conductors, shielding, and color-coding system. Choose the 10-foot for smaller stages and mobile rigs, or the 15-foot version when you need more distance between your stage box area and front-of-house position.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov