The SAJT-12x4x100 is built for bands, venues, and sound engineers who need reliable multitrack signal routing between the mixing console and stage. This professional-grade snake cable eliminates the cable chaos of running individual lines across long distances.

This 100-foot snake delivers 12 XLR microphone sends from stage to your mixing position, plus 4 TRS return channels for monitor feeds or effects sends back to the stage. The heavy-duty steel stage box keeps all connections organized and protected, while the color-coded fantail makes identification quick during setup and teardown.

Each of the 16 channels uses 22-gauge oxygen-free copper conductors with individual shielding to prevent interference and crosstalk. The rugged construction features strain relief at both ends and clearly numbered connections on both the stage box and fantail. At 30 pounds, this snake is substantial enough for permanent installations yet manageable for mobile rigs.

Perfect for medium to large venues, outdoor festivals, or any application where the mixing console sits more than 50 feet from the stage. The 12 send channels handle a full drum kit plus vocalists and instruments, while the 4 TRS returns provide dedicated monitor mixes or reverb sends. Works with any mixing console that has XLR microphone inputs and TRS send/return jacks.

The snake includes everything needed for immediate use - no additional cables required. Seismic Audio backs this multicore with a one-year warranty and ships nationwide.

Technical Specifications

Frequently Asked Questions

What's the difference between the send and return channels?

The 12 XLR sends carry microphone and line signals from the stage to your mixing console, while the 4 TRS returns send signals back to the stage for monitor mixes, effects, or other applications. The XLR connections are male at the stage box and female at the fantail, following standard microphone cable conventions.

What size venues work best with a 100-foot snake?

This length handles most medium to large venues, outdoor stages, and permanent installations where the mixing position is 75-90 feet from the stage. It's ideal for venues accommodating 200-500 people, giving you enough cable to position your console in the house while maintaining signal integrity across the distance.

Do I need additional cables to use this snake?

No additional cables are required. The snake includes all connections from stage to console position. Simply plug your microphones into the XLR stage box inputs and connect the fantail XLRs to your mixing console's microphone inputs. The TRS returns connect directly to your console's auxiliary sends or effects returns.

How does the individual channel shielding help with signal quality?

Each of the 16 channels has its own dedicated shielding to prevent crosstalk between channels and reject radio frequency interference. This means your kick drum won't bleed into your vocal channels, and nearby radio transmissions won't introduce noise into your signal chain.

Can I use this snake for recording studio applications?

Yes, this snake works well for studio multitracking where you need to run multiple microphone signals from a live room to your control room interface. The oxygen-free copper conductors and individual shielding maintain signal integrity for recording applications, and the steel stage box provides a clean connection point in the live room.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov