The SARLX-4x10 is built for bands, DJs, and sound engineers who need reliable signal routing between stage and mixer without the bulk of longer cables. This 10-foot XLR snake handles four separate balanced audio channels in one tidy package.

Each channel features male and female XLR connectors with proper shielding to maintain signal integrity and reduce noise interference. The balanced design helps eliminate hum and buzz that can plague unbalanced connections, especially in electrically noisy environments.

Built with 22 AWG copper conductors and individual shielding on each channel, this snake delivers clean audio transmission for professional applications. Color-coded and numbered channels speed up setup and prevent mix-ups during live shows. The 10-foot length works well for smaller stages, studio patch bays, and mobile DJ setups where you need separation between inputs and mixing position without excess cable clutter.

Perfect for connecting microphones to stage boxes, routing monitor sends, or linking outboard gear in recording studios. Small venues, church sound systems, and mobile performers appreciate the manageable length that reduces stage mess while maintaining professional signal quality.

Connect microphones, direct boxes, or other XLR-equipped gear to the female ends, then run the male ends to your mixer or audio interface. The snake includes all four channels in one cable assembly.

Seismic Audio backs this snake with a one-year warranty and ships ready to use out of the box.

Technical Specifications

Frequently Asked Questions

What venues work best with a 10-foot XLR snake?

The 10-foot length is ideal for small stages, recording studios, and mobile DJ setups where your mixer sits close to the performance area. This works well for coffee shops, small clubs, house parties, and studio control rooms where you need separation between microphones and mixing position without excess cable length creating clutter.

Can I daisy-chain multiple snakes together for longer runs?

Yes, you can connect multiple snakes by plugging the male XLR ends of one snake into the female ends of another. However, for runs longer than 20 feet total, consider buying a single longer snake cable to minimize connections and potential signal loss points.

What's the difference between this and individual XLR cables?

A snake cable bundles four separate shielded channels into one jacket, reducing stage clutter and setup time compared to running four individual XLR cables. The channels are numbered and color-coded for quick identification, and you only have one cable to manage instead of four separate ones.

Will this work with my audio interface or mixing board?

This snake works with any equipment that has standard 3-pin XLR inputs and outputs. Connect microphones or other sources to the female ends, then plug the male ends into your mixer, audio interface, or stage box XLR inputs. The balanced design maintains signal quality across the connection.

How does 22 AWG wire gauge affect audio quality?

The 22 AWG copper conductors provide adequate signal transmission for the 10-foot length while keeping the cable flexible and manageable. This gauge maintains good signal integrity for professional audio applications without the stiffness of heavier gauge wire that would be overkill for this length.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov