Professional microphone cables built for musicians, DJs, content creators, recording studios, schools, and churches that need reliable 100-foot XLR connections. This 6-pack delivers the extended reach required for large stages, outdoor events, and installations where standard cable lengths fall short.

Each cable features 22-gauge oxygen-free copper conductors that maintain signal integrity across the full 100-foot run. The shielded design prevents RF interference and electromagnetic noise that can compromise audio quality in electrically noisy environments like venues with extensive lighting rigs or wireless systems.

Heavy-duty rubber jackets protect against wear from repeated coiling, stage foot traffic, and outdoor weather conditions. Metal 3-pin XLR connectors (male to female) provide secure connections that won't work loose during performances. The bright yellow color coding makes cable identification quick during setup and breakdown in low-light conditions.

These balanced XLR cables work for microphone runs from stage to FOH console, connecting outboard gear like equalizers and crossovers, or broadcast and video production applications. The 100-foot length handles main stage microphone positions to mixing consoles positioned at the back of large venues. Six cables provide enough runs for a full drum kit mic setup or multiple vocal positions.

Each cable terminates in standard 3-pin XLR connectors that work with all professional microphones, mixing consoles, and audio interfaces. The female connector goes to your source output and the male connector goes to your destination input. The pack includes six individual 100-foot cables ready to use out of the box.

Seismic Audio backs these cables with a one-year warranty and ships them fast so your next gig stays on schedule.

Technical Specifications

Frequently Asked Questions

What applications work best with 100-foot microphone cables?

These cables excel in larger venues where the mixing console sits far from the stage, outdoor festivals with extended stage-to-FOH distances, and church installations where the sound booth is positioned at the back of the sanctuary. They're also ideal for drum overhead mic positioning in large rehearsal spaces, recording studios with live rooms, broadcast facilities, and connecting wireless microphone receivers to distant mixing boards.

Can I use these XLR cables for both microphones and line-level equipment?

Yes, these balanced XLR cables work for microphones, line-level connections between mixers and outboard gear like equalizers or compressors. The 22-gauge oxygen-free copper conductors and proper shielding handle both low-level microphone signals and line-level audio without noise or signal degradation.

How does the 22-gauge wire compare to thinner microphone cables?

The 22-gauge conductors provide better signal transmission over 100-foot runs compared to thinner 24 or 26-gauge cables commonly found in shorter lengths. This heavier gauge reduces signal loss and maintains better low-frequency response, which matters more as cable length increases. You'll get cleaner audio with less noise pickup.

Will six cables cover a typical band setup?

Six 100-foot cables typically handle a full drum kit (kick, snare, two overheads, hi-hat) plus lead vocals, or four vocal microphones plus two instrument direct boxes. For larger productions requiring 8-12+ microphone inputs, consider ordering multiple packs or mixing these with shorter runs for closer microphone positions.

Do these cables work with phantom power for condenser microphones?

Yes, these balanced XLR cables properly carry +48V phantom power from your mixing console to condenser microphones. The shielding and oxygen-free copper conductors maintain clean phantom power delivery across the full 100-foot length without voltage drop that could affect condenser microphone performance.

Can I use these audio XLR cables for DMX lighting control?

While these cables physically connect to DMX fixtures, they're not ideal for lighting control. Audio XLR cables typically have 75-ohm impedance while DMX512 protocol specifies 120-ohm impedance. This mismatch can cause signal reflections, data errors, and intermittent lighting control issues, especially over longer runs. For reliable DMX operation, use proper 120-ohm DMX cables, though these audio cables may work for short temporary connections in a pinch.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov