SARMSS-24x1530 - 24 Channel XLR TRS Combo Splitter Snake Cable - 15' and 30' XLR trunk
The SARMSS-24x1530 is a rack-mountable 24-channel splitter snake designed for live sound engineers who need to split microphone signals to multiple mixing consoles or recording devices. This hardwired Y-splitter system gives you clean, isolated feeds without the complexity of transformer isolation or ground lift switches.
This splitter snake delivers reliable signal distribution with individually shielded pairs and 22-gauge conductors that maintain signal integrity across long runs. The steel stage box features XLR/TRS combo jacks that accept both microphones and line-level sources, while dual fantail trunks (15' and 30') terminate in male XLR connectors for direct connection to mixing boards.
Built for professional applications, this 3-space rack unit weighs 26.8 pounds and handles the demands of permanent installations and mobile rigs. All connections are clearly labeled for quick setup, and the heavy-duty construction stands up to repeated use. The 100% individually shielded cable pairs reject interference while passing 48V phantom power to condenser microphones.
Perfect for multi-console recording sessions, broadcast feeds, or splitting stage signals to front-of-house and monitor consoles in venues serving 200-500 people. The dual trunk lengths provide flexibility for different console positions without excess cable on stage.
Connects directly to any mixing console with XLR inputs. The stage box mounts in standard 19" racks, and both fantail ends are ready to plug into your boards without adapters. Includes one-year warranty and ships ready for immediate deployment in your live sound system.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SARMSS-24x1530 |
| Channels | 24 |
| Configuration | Hardwired Y-splitter (send only, no returns) |
| Stage Box Inputs | XLR/TRS 1/4" combo jacks (female) |
| Fantail Outputs | Male XLR connectors |
| Trunk Lengths | 15' and 30' |
| Rack Space | 3U |
| Cable Gauge | 22 AWG |
| Shielding | 100% individually shielded pairs |
| Weight | 26.8 lbs |
| Construction | Heavy duty steel stage box with handle |
| Phantom Power | Passes 48V phantom power |
| Warranty | One Year |
| Recommended For | Multi-console recording, broadcast feeds, venue splits |
Frequently Asked Questions
Does this splitter snake work with condenser microphones that need phantom power?
Yes, this splitter passes 48V phantom power from your mixing console to condenser microphones connected to the stage box. The individually shielded pairs maintain clean phantom power delivery without interference, so your condenser mics will receive the power they need to operate properly.
What's the difference between this splitter snake and a regular snake cable?
Regular snakes send signals one direction from stage to console. This splitter snake takes each input and splits it to two outputs, letting you send the same microphone signal to multiple mixing consoles simultaneously - perfect for recording while running front-of-house sound, or feeding both main and monitor consoles.
How do the XLR/TRS combo jacks work on the stage box?
The combo jacks accept either XLR microphone cables or 1/4" TRS line-level sources. This gives you flexibility to connect microphones, DI boxes, keyboards, or other line-level gear directly to the same input. The jack automatically senses which connector type you're using.
Can I use this for permanent installation in a church or venue?
Absolutely. The 3-space rack-mountable design makes this ideal for permanent installations where you need to split signals to multiple consoles or recording devices. The heavy-duty steel construction and quality connectors handle the demands of weekly services or daily venue use.
Why does this snake have two different trunk lengths?
The dual trunk configuration (15' and 30') gives you flexibility for different console setups. Use the shorter 15' trunk for nearby equipment or monitor consoles positioned close to the stage, while the 30' trunk reaches mixing consoles positioned further back in the venue. This eliminates excess cable clutter on stage while ensuring you have enough reach for both console positions.
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