SAXLX-25 - Pink 25 Foot XLR Microphone Cable
The SAXLX-25 Pink delivers professional-grade XLR connectivity for musicians, DJs, live sound engineers, podcasters, churches, and schools who need reliable balanced audio transmission with instant visual identification. This 25-foot microphone cable stands out in any cable run, making setup and troubleshooting faster during live events.
Built with 22-gauge oxygen-free copper conductors, this cable maintains signal integrity across its full length while rejecting RF interference that can plague cheaper alternatives. The heavy-duty flexible rubber jacket withstands repeated coiling and the rigors of mobile performance setups.
Metal 3-pin XLR connectors (male and female) provide secure connections that won't fail mid-performance. The shielded design ensures clean signal transmission whether you're running microphones to a mixer, connecting balanced outputs between audio gear, or controlling lighting fixtures. At 25 feet, it bridges the gap between shorter patch cables and longer cable runs.
This cable serves microphone connections, balanced line signals between mixers and amplifiers, or lighting control applications. The pink jacket makes it perfect for color-coded cable management in complex installations.
Connect any device with XLR inputs and outputs — from vocal microphones to powered speakers, mixing consoles to crossovers. The female connector connects to your source output and the male connector connects to your destination input. No additional adapters needed.
Seismic Audio backs this cable with a one-year warranty and ships it ready to work straight from the box.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAXLX-25 |
| Length | 25 Feet |
| Color | Pink |
| Connectors | 3-Pin XLR Male and Female |
| Conductor | 22-Gauge Oxygen-Free Copper (OFC) |
| Jacket | Heavy Duty Flexible Rubber |
| Shielding | Yes |
| Compatibility | Microphones, Audio Equipment, Lighting Control |
| Warranty | 1 Year |
| Recommended For | Live sound, DJ setups, content creation, lighting control |
Frequently Asked Questions
What's the difference between this cable and a regular instrument cable?
XLR cables like the SAXLX-25 carry balanced signals using three conductors (hot, cold, and ground), which eliminates noise and interference over long runs. Instrument cables are unbalanced and use only two conductors, making them prone to picking up hum and RF interference at distances beyond 20 feet. For professional audio applications, balanced XLR connections are essential.
Can I use this cable for both microphones and line-level equipment?
Yes, this cable works for any balanced XLR connection including microphones to mixers, line outputs from mixers to powered speakers, and connections between processors like equalizers and crossovers. The 22-gauge OFC conductors handle both mic-level and line-level signals without degradation.
Can I use this cable for DMX lighting control?
While this cable will physically connect to DMX fixtures, it's not ideal for DMX applications. Audio XLR cables are designed for 75-ohm impedance, while DMX512 protocol requires 120-ohm impedance. Using 75-ohm cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer runs or with multiple fixtures. For critical lighting applications, use proper 120-ohm DMX cables to ensure reliable data transmission.
Will the pink color affect the cable's performance or durability?
The pink color is purely cosmetic and doesn't impact electrical performance or longevity. The heavy-duty rubber jacket provides the same protection as standard black cables while offering superior cable management through color coding. Many professionals use colored cables to organize complex setups and speed up troubleshooting.
Do I need any adapters to connect this cable to my equipment?
No adapters needed if your equipment has standard XLR connections. Most professional microphones have XLR male outputs, mixing consoles have XLR female inputs, and many powered speakers accept XLR inputs. If you need to connect to 1/4" TRS balanced inputs, you'd need a separate XLR-to-TRS adapter, but the cable itself connects directly to any XLR jack.
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