SAXLX-3 - 6 Pack of Pink 3 Foot XLR Patch Cables
The SAXLX-3 Pink 6-Pack delivers professional-grade XLR patch cables designed for musicians, DJs, sound engineers, podcasters, recording studios, and mobile entertainers who need reliable connections in a distinctive pink color for easy identification in complex setups. These balanced XLR cables handle the critical signal paths that keep your PA system running smoothly.
Each 3-foot cable features male and female 3-pin XLR connectors with heavy-duty flexible rubber jacketing that stands up to constant plugging, unplugging, and stage movement. The shielded design ensures clean signal transmission between mixers, equalizers, crossovers, and amplifiers without interference.
Built with 22-gauge oxygen-free copper conductors, these cables maintain signal integrity across short runs between rack-mounted processors, monitor sends, and amplifier inputs. The 3-foot length is ideal for patch bay connections, equipment racks, and stage monitor feeds where you need clean routing without excess cable clutter.
Pink coloring makes these cables perfect for color-coded signal routing in churches and recording studios where different engineers need to quickly identify specific signal paths. Use them for microphone connections or any balanced audio application requiring XLR connectivity.
Each cable connects standard XLR female outputs to XLR male inputs on mixers, amplifiers, crossovers, and signal processors. The female connector attaches to your source output and the male connector attaches to your destination input. The 6-pack provides enough cables for a complete monitor mix setup or patch bay configuration.
Seismic Audio backs these cables with a one-year warranty and ships them ready to use out of the box.
Technical Specifications
| Spec | Value |
|---|---|
| Length | 3 feet each |
| Connector Type | 3-pin XLR male to female |
| Conductor | 22-gauge oxygen-free copper |
| Jacket | Heavy-duty flexible rubber |
| Shielding | Shielded |
| Color | Pink |
| Quantity | 6 cables |
| Warranty | 1 year |
| Application | Balanced audio, microphone |
| Recommended For | Patch bays, equipment racks, monitor feeds |
Frequently Asked Questions
What are these pink XLR cables best used for?
These 3-foot pink XLR patch cables excel in equipment racks, patch bays, and monitor mixing applications where you need short, reliable connections between processors, mixers, and amplifiers. The pink color makes them ideal for color-coded signal routing systems in churches and recording studios. They work equally well for microphone connections.
Can I use these cables for microphones and line-level signals?
Yes, these balanced XLR cables handle both microphone-level and line-level signals effectively. The 22-gauge oxygen-free copper conductors and shielded design work for connecting microphones to mixers, linking outboard processors, or running monitor feeds. The 3-foot length is perfect for close connections but may be short for typical microphone-to-mixer runs.
How do these pink cables help with cable management?
Pink XLR cables create instant visual identification in complex audio setups. Many sound engineers use color-coding systems where pink might indicate monitor feeds, effects sends, or specific zones. This prevents connection mistakes during setup and makes troubleshooting faster when multiple engineers work on the same system.
Are 3-foot cables long enough for most rack connections?
Three-foot XLR cables are ideal for rack-to-rack connections, patch bay wiring, and equipment positioned within the same or adjacent rack spaces. They provide enough length for clean routing without excess cable creating clutter, but they're too short for stage-to-mixer runs or long equipment separations.
What's the difference between these and longer XLR cables?
The 3-foot length makes these cables specifically suited for patch applications and short connections rather than primary microphone or long signal runs. Longer XLR cables (15-25 feet) work better for microphone placement and equipment separation, while these 3-footers excel in organized equipment racks and patch systems where minimal length reduces clutter.
Can I use these XLR cables for DMX lighting control?
While these cables have 3-pin XLR connectors that physically fit DMX equipment, they're not optimized for DMX applications. Audio XLR cables typically use 75-ohm impedance while DMX512 requires 120-ohm impedance for proper signal transmission. Using audio cables for DMX may work over short runs but can cause signal degradation, data errors, or unreliable lighting control over longer distances or in complex lighting rigs. For reliable DMX performance, dedicated DMX cables with proper impedance matching are recommended.
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