SATRXL-F25 - 8 Pack of Multi-Color 25 Foot XLR Female to 1/4 Inch TRS Patch Cables
The SATRXL-F25 8-pack delivers professional balanced connections between mixers and outboard gear, perfect for live sound engineers, studio owners, and mobile setups requiring multiple signal paths. These XLR female to 1/4" TRS cables handle the critical connection between your mixing console and equalizers, compressors, crossovers, or amplifiers.
Each 25-foot cable maintains signal integrity across longer runs with balanced design that eliminates noise and interference. The metal XLR female connectors and 1/4" TRS plugs with fiberglass insulators provide reliable connections that withstand repeated use in demanding environments.
Built with 22-gauge oxygen-free copper conductors and heavy-duty flexible rubber jackets, these cables deliver consistent performance night after night. The shielded design protects your signal path from external interference, while the balanced configuration ensures clean audio transmission even in electrically noisy venues.
Color-coded in eight distinct colors (black, blue, green, orange, red, yellow, purple, white), this pack streamlines cable management for complex setups. Whether you're running a multi-zone church sound system, connecting rack gear in a studio control room, or managing monitor sends for a five-piece band, the visual organization prevents connection errors during setup and teardown.
Each cable spans 25 feet, providing flexibility for rack-to-mixer connections without excess cable cluttering your workspace. The pack includes eight cables total, enough to handle most multi-channel processing setups.
Backed by Seismic Audio's one-year warranty, these cables ship fast and deliver the reliability your signal chain demands.
Technical Specifications
| Spec | Value |
|---|---|
| Cable Type | XLR Female to 1/4" TRS Balanced |
| Length | 25 feet |
| Quantity | Multi-Colored 8 Pack |
| Conductor | 22-gauge Oxygen-Free Copper |
| Connector A | Metal 3-Pin XLR Female |
| Connector B | Metal 1/4" TRS with Fiberglass Insulators |
| Cable Design | Balanced, Shielded |
| Jacket Material | Heavy Duty Flexible Rubber |
| Colors Included | Black, Blue, Green, Orange, Red, Yellow, Purple, White |
| Warranty | 1 Year |
| Recommended For | Mixer to outboard gear connections, studio rack setups |
Frequently Asked Questions
What's the difference between XLR to TRS and XLR to TS cables?
XLR to TRS cables like the SATRXL-F25 carry balanced signals, which eliminate noise and interference over long cable runs. TRS (tip-ring-sleeve) connectors have three contact points that maintain the balanced signal from your mixer's XLR output. TS (tip-sleeve) connectors only have two contact points and convert to unbalanced, which can pick up noise in longer runs or electrically noisy environments.
Can I use these cables to connect my mixer to powered speakers?
These cables are designed for connecting mixers to rack-mounted processing gear like EQs, compressors, and crossovers, not directly to powered speakers. Most powered speakers use XLR male or 1/4" inputs, while these cables have XLR female connectors. For mixer-to-speaker connections, you'll need standard XLR male to XLR female cables.
How many channels can I run with this 8-pack?
This 8-pack handles eight individual channels, perfect for connecting an 8-channel mixer to an 8-channel equalizer or running eight separate monitor sends to processing gear. For stereo pairs, you'll get four stereo channels. The color coding helps you maintain left/right organization and quickly identify specific channel routings.
Are 25-foot cables long enough for typical live sound setups?
25 feet works well for most stage-to-FOH mixer distances and studio rack connections. This length covers front-of-house positions up to about 20 feet from the stage, with some cable management slack. For larger venues or outdoor festivals where the mixer sits further back, you may need longer cables or a stage box system.
Why do I need balanced cables for connecting rack gear?
Balanced cables eliminate noise that unbalanced connections pick up from lighting systems, power cables, and wireless equipment common in live venues. When connecting your mixer to outboard processors, maintaining the balanced signal path preserves your audio quality and prevents the hum and buzz that can ruin a performance, especially in electrically noisy environments.
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