The SAXLX-100 Red delivers 100 feet of professional XLR connectivity for live sound engineers, touring musicians, and venue technicians who need reliable signal transmission across large stages and installations. This balanced microphone cable handles everything from vocal mics to line-level connections between mixers, amplifiers, and processors.

Built with 22-gauge oxygen-free copper conductors, this cable maintains signal integrity over its full 100-foot length while providing superior RF rejection in electrically noisy environments. The heavy-duty flexible rubber jacket protects the internal wiring from stage wear, cable runs under carpets, and outdoor weather conditions.

The cable features metal 3-pin XLR connectors (male to female) with secure locking mechanisms that prevent accidental disconnections during performances. Full shielding eliminates interference from lighting systems, power cables, and wireless equipment that can plague cheaper unshielded cables.

Perfect for musicians, DJs, podcasters, schools, recording studios, and broadcasters. The 100-foot length works well for connecting floor monitors to amplifier racks, running vocals from downstage to FOH consoles, or linking processing equipment in large rack systems. The bright red jacket provides high visibility for quick identification in cable runs and lighting conditions.

Standard XLR-to-XLR configuration connects directly to any microphone, mixer, amplifier, or processor with XLR inputs and outputs. The female connector attaches to your source output and the male connector attaches to your destination input. Seismic Audio backs this cable with a one-year warranty and ships ready to use out of the box.

Technical Specifications

Frequently Asked Questions

What's the maximum distance I can run this cable without signal loss?

At 100 feet with 22-gauge oxygen-free copper conductors, the SAXLX-100 maintains professional signal integrity for both microphone and line-level sources. The balanced design and proper shielding prevent noise pickup and signal degradation that can occur with longer cable runs using inferior materials.

Can I use this cable for both microphones and line-level equipment?

Yes, this XLR cable works for microphone signals, line-level connections between mixers and amplifiers, and balanced outputs from keyboards, preamps, and processors. The same 3-pin XLR connection standard handles microphone-level signals (very low voltage) and line-level signals (higher voltage) equally well.

How does the 100-foot length compare to shorter XLR cables for professional applications?

The 100-foot length eliminates the need to daisy-chain multiple shorter cables, reducing connection points where signal loss and interference can occur. This single-run approach is more reliable than connecting two 50-foot cables and provides cleaner signal paths for permanent installations requiring long cable runs.

Will this cable work with DMX lighting controllers?

While this cable uses the same 3-pin XLR connectors as DMX lighting systems, there are important compatibility considerations. Audio XLR cables typically have 75-ohm impedance while DMX applications require 120-ohm impedance. Using audio cables for DMX can work in short runs but may cause signal reflections, data errors, or unreliable communication in longer DMX chains. For critical lighting installations, dedicated DMX cables with proper impedance ratings are recommended.

What applications typically need 100-foot microphone cables?

This length handles situations where standard 25-50 foot cables fall short, including connecting stage microphones to mixing positions, linking processing equipment across large rack installations, running audio between rooms in broadcast facilities, connecting talent microphones in film production, or routing audio in large recording studios and performance spaces.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov