The SATRXL-M10 6-pack delivers color-coded XLR male to TRS patch cables for studios, live sound engineers, and venues that need organized signal routing. Each 10-foot cable connects balanced XLR outputs to TRS inputs, handling the most common connection scenario in professional audio setups.

These balanced cables carry line-level signals between mixers, equalizers, crossovers, compressors, and amplifiers without noise or signal degradation. The heavy-duty rubber jacket withstands repeated coiling and transport, while metal connectors ensure solid contact under stage conditions.

Built with 22-gauge oxygen-free copper conductors and complete shielding, each cable maintains signal integrity across the 10-foot length. High-grade fiberglass insulators in the TRS connectors provide reliable connections that won't loosen during performance. Six distinct colors—blue, green, orange, red, yellow, and purple—let you organize your rack connections and trace signal paths quickly during setup or troubleshooting.

Perfect for connecting your main mixer outputs to powered speakers with combo inputs, routing effects sends and returns, or linking outboard processing gear in your rack. Churches, bands, and mobile DJs benefit from the color coding when running multiple parallel connections. Small to medium venues up to 400 people typically use 4-6 of these connections for a complete PA setup.

Each cable terminates in a 3-pin XLR male connector and 1/4-inch TRS plug, ready to connect standard professional audio gear. The complete 6-pack arrives ready to wire your entire signal chain. Seismic Audio backs every cable with a one-year warranty and ships fast to get your system connected.

Technical Specifications

Frequently Asked Questions

What equipment do these XLR to TRS cables connect?

These cables connect balanced XLR outputs (found on most mixers, audio interfaces, and outboard gear) to TRS inputs (common on powered speakers, amplifiers, and rack processors). They're essential for connecting your mixer's main outputs to powered PA speakers, linking effects processors, or routing signals between rack-mounted compressors and equalizers.

Why do I need color-coded cables instead of all black ones?

Color coding eliminates guesswork when tracing connections in complex setups. You can assign specific colors to left/right channels, different zones, or various signal paths, making troubleshooting and setup changes much faster. During live shows or church services, you can instantly identify which cable feeds which speaker or processor without following each cable end to end.

How many cables do I need for a typical small venue PA system?

Most small venue setups (100-300 people) need 2-6 of these cables depending on your configuration. A basic stereo PA requires two cables from your mixer to powered mains. Add subwoofers, monitor sends, or outboard processing, and you'll typically use 4-6 cables total. This 6-pack covers most complete small to medium venue installations.

Will these work with my powered speakers that have combo jacks?

Yes, these TRS connectors fit perfectly into combo jacks that accept both XLR and TRS plugs. Many powered speakers like QSC, JBL, and Yamaha models use combo inputs specifically to accommodate both connector types. The balanced TRS connection maintains the same signal quality as an XLR-to-XLR connection.

What's the difference between TRS and TS patch cables for this application?

TRS (tip-ring-sleeve) cables carry balanced signals with noise rejection, while TS (tip-sleeve) cables are unbalanced and more susceptible to interference. When connecting professional mixers to powered speakers or rack gear, balanced TRS connections maintain signal quality over longer runs and reject electrical noise from lighting systems or power cables running nearby.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov