SAXLX-100 - 6 Pack of Red 100 Foot XLR Microphone Cables
The SAXLX-100 Red 6-Pack delivers professional-grade XLR microphone cables for musicians, DJs, live sound engineers, recording studios, schools, and theater production professionals who need reliable signal transmission across longer distances. Each 100-foot cable in this red-jacketed pack handles everything from vocal microphones to balanced line connections.
Built with 22-gauge oxygen-free copper conductors and comprehensive shielding, these balanced XLR cables maintain signal integrity while rejecting radio frequency interference that can plague cheaper alternatives. The heavy-duty flexible rubber jacket withstands the punishment of regular setup, teardown, and transport without compromising performance.
Metal 3-pin XLR connectors (male to female) provide secure, professional connections that won't fail mid-performance. The shielded design ensures clean signal transmission whether you're running microphone feeds to your mixing console or connecting balanced line-level signals between processors, equalizers, and amplifiers.
Perfect for installations where microphones and equipment need significant separation. The 100-foot length works well for outdoor events or installations where the mixing position sits far from the stage. Red jacketing makes cable identification simple in complex setups with multiple signal paths.
Each cable features standard XLR pinout for universal compatibility with microphones, mixing consoles, powered speakers, and professional audio processors. The female connector goes to your source output and the male connector goes to your destination input. The pack includes six cables total, providing enough runs for a full band or multiple zones in fixed installations.
Seismic Audio backs each cable with a one-year warranty and ships direct from our facility for fast delivery to your next gig.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAXLX-100 Red 6-Pack |
| Cable Type | Balanced XLR Microphone Cable |
| Length | 100 feet per cable |
| Quantity | 6 cables |
| Color | Red |
| Connectors | 3-pin XLR male to female |
| Conductor | 22-gauge oxygen-free copper (OFC) |
| Shielding | Yes |
| Jacket Material | Heavy-duty flexible rubber |
| Warranty | One year |
| Recommended For | Long-distance microphone runs, balanced line connections |
Frequently Asked Questions
What applications work best with 100-foot XLR cables?
These cables excel in installations where the mixing console sits far from the stage, outdoor events, and fixed installations requiring long cable runs. Churches with balcony mixing positions, recording studios with isolated control rooms, and theater productions with distant sound booths all benefit from this length. Content creators and podcasters can use them for remote microphone placement in large spaces.
Can I use these cables for both microphones and line-level signals?
Yes, balanced XLR cables work for both microphone-level and line-level signals since they use the same connector standard and shielding requirements. You can run vocal microphones, connect powered speakers to mixing consoles, or link processors like equalizers and crossovers using the same cables. The 22-gauge copper conductors handle both low-level microphone signals and higher-level line outputs effectively.
Do these cables work with DMX lighting controllers?
While these XLR cables can physically connect to DMX fixtures, there are important technical differences. Audio XLR cables typically have 75-ohm impedance while DMX systems are designed for 120-ohm impedance. This mismatch can cause signal reflections, data errors, and unreliable lighting control, especially on longer runs or complex systems. For critical DMX applications, dedicated DMX cables with proper impedance ratings provide more reliable performance.
How does the red jacket help with cable management?
Red jacketing allows instant visual identification in complex setups with multiple signal paths. Many engineers assign colors to specific functions - red for microphones, black for line-level signals, blue for monitors. This prevents accidentally patching microphone preamp outputs into power amplifier inputs, which can damage equipment. Color coding also speeds up setup and teardown for mobile applications.
Will 100-foot runs cause signal loss or noise issues?
Not with properly shielded balanced cables like these. The oxygen-free copper conductors and comprehensive shielding maintain signal integrity across 100-foot runs without noticeable degradation. Balanced XLR connections naturally reject interference and noise pickup that would affect unbalanced connections. Professional applications routinely run microphone cables 150+ feet without issues when using quality shielded cable.
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