SATRXL-F2 - 6 Pack of Orange 2' XLR Female to TRS Patch Cables
The SATRXL-F2 6-pack delivers the balanced connection cables you need to link mixing consoles with rack-mounted processors, equalizers, and amplifiers. Each bright orange cable features XLR female on one end and 1/4" TRS male on the other, making these the go-to choice for connecting gear with different balanced output formats.
These 2-foot patch cables handle the critical signal path between your mixer's balanced XLR outputs and rack gear that uses 1/4" TRS inputs. The compact 2-foot length keeps your rack connections tidy while the heavy-duty rubber jacket withstands the constant plugging and unplugging of live sound setups.
Built with 22-gauge oxygen-free copper conductors and complete shielding, each cable maintains signal integrity across the balanced connection. The metal XLR connector features reliable 3-pin construction, while the 1/4" TRS connector uses high-grade fiberglass insulators for long-term durability. The bright orange jacket makes cable identification quick during setup and troubleshooting.
Perfect for connecting mixing boards to compressors, crossovers, or graphic equalizers in church sound systems, band PA racks, and DJ booth setups. These cables work equally well in permanent installations and portable rigs that get torn down after every gig.
Each cable connects XLR female outputs directly to 1/4" TRS balanced inputs. The 6-pack configuration ensures you have enough cables for multi-channel processor connections or backup cables when you need them.
Every SATRXL-F2 cable includes Seismic Audio's one-year warranty and ships ready for immediate use in your signal chain.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SATRXL-F2 |
| Quantity | 6 Pack |
| Length | 2 Feet |
| Connector 1 | XLR Female (3-pin metal) |
| Connector 2 | 1/4" TRS Male (metal with fiberglass insulators) |
| Cable Type | Balanced, Shielded |
| Conductor | 22-gauge Oxygen-Free Copper (OFC) |
| Jacket | Heavy Duty Flexible Rubber |
| Color | Orange |
| Warranty | 1 Year |
| Recommended For | Mixer to rack gear connections |
Frequently Asked Questions
What equipment do these XLR female to TRS cables connect?
These cables connect mixing console XLR outputs to rack-mounted processors with 1/4" TRS inputs, including equalizers, compressors, crossovers, and some amplifiers. They're essential when your mixer has XLR balanced outputs but your outboard gear uses 1/4" TRS balanced inputs. The balanced connection maintains professional audio quality across the signal chain.
Why are these cables only 2 feet long?
The 2-foot length is specifically designed for rack-to-rack connections and mixer-to-adjacent-rack setups where longer cables would create unnecessary clutter. This length keeps your equipment rack tidy while providing enough reach for standard 19-inch rack configurations. For longer runs between separate equipment areas, consider Seismic Audio's longer XLR to TRS cables.
Do these cables work with both studio mixers and live sound consoles?
Yes, these cables work with any mixer or console that has XLR balanced outputs, whether it's a studio mixing board, live sound console, or powered mixer. The balanced XLR female to TRS male configuration is a standard professional audio connection. They're equally suitable for permanent studio installations and portable live sound rigs.
How many channels can I connect with this 6-pack?
This 6-pack can handle up to 6 channels of balanced audio connections, making it perfect for connecting a stereo mix plus 4 auxiliary sends, or 6 individual channels to a multi-channel processor. Having 6 cables also provides backup options for critical connections in live sound situations where cable failure isn't an option.
Are these cables suitable for high-output mixing consoles?
These cables handle standard balanced line-level signals from any professional mixing console, including high-output digital and analog boards. The 22-gauge oxygen-free copper conductors and complete shielding maintain signal integrity even with hot console outputs. The balanced connection design naturally rejects noise that can plague unbalanced connections in live sound environments.
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