Professional XLR to TRS patch cables designed for musicians, engineers, and venues that need reliable signal routing between balanced and unbalanced gear. The SATRXL-M3 6-pack delivers color-coded connectivity for complex live sound setups where signal flow organization matters.

These balanced patch cables bridge the gap between professional XLR outputs and TRS inputs, enabling direct connections from mixing consoles to outboard processors, amplifiers, and rack-mounted equipment. Each 3-foot cable maintains signal integrity across the balanced-to-unbalanced conversion that's essential in modern PA systems.

Built with 22-gauge oxygen-free copper conductors and comprehensive shielding, these cables handle the demands of live performance environments. Metal XLR connectors and TRS plugs with fiberglass insulators provide secure, low-noise connections that won't fail during critical moments. The heavy-duty rubber jacket withstands repeated setup and breakdown cycles.

Color-coding in blue, green, orange, red, yellow, and purple simplifies complex signal routing in multi-zone installations, monitor systems, and effects loops. Churches running separate house and broadcast feeds, bands with extensive rack processing, and venues managing multiple amplifier zones benefit from instant visual identification of signal paths.

Connect mixer outputs to graphic EQs, crossovers, compressor inputs, or power amplifier TRS inputs using these balanced cables. Each pack includes six 3-foot cables in different colors for immediate deployment.

Seismic Audio backs these professional patch cables with a one-year warranty and ships them ready for your next gig or installation project.

Technical Specifications

Frequently Asked Questions

What equipment do these XLR to TRS cables connect?

These cables connect balanced XLR outputs from mixing consoles to TRS inputs on equalizers, crossovers, compressors, and power amplifiers. They're essential when your mixer has XLR sends but your outboard gear or amplifiers only accept TRS inputs, bridging the connection gap in professional audio setups.

Why does the 6-pack include different colors instead of all the same color?

Color-coding eliminates guesswork during setup and troubleshooting in complex audio systems. When running multiple signals from a mixer to various processors or amplifier channels, colored cables let you instantly identify which source feeds which destination, preventing costly routing mistakes during live events.

Are these cables suitable for microphone connections?

No, these are designed for line-level signals between audio equipment, not microphone connections. Microphones require XLR female inputs, while these cables have XLR male connectors specifically for connecting mixer outputs to rack gear and amplifiers that accept TRS inputs.

How long should patch cables be for rack-mounted equipment?

Three-foot cables work well for most rack installations and mixer-to-outboard connections. This length provides enough reach for equipment spacing without excess cable that creates clutter or signal degradation. Longer runs between distant equipment require different cable solutions.

Do these cables work with both balanced and unbalanced TRS inputs?

Yes, these cables function with both balanced and unbalanced TRS inputs. The XLR end carries a balanced signal, and the TRS connector adapts to whatever input configuration your destination equipment uses, whether it's a balanced TRS input or an unbalanced connection.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov