SAXLX-6 - 6 Pack of Orange 6 Foot XLR Patch Cables
The SAXLX-6 Orange 6-pack delivers professional XLR patch cables for musicians, DJs, podcasters, churches, schools, and recording studios who need reliable balanced connections in a standout color. These 6-foot cables handle the essential task of linking mixers, equalizers, crossovers, and amplifiers in any professional audio setup.
Each cable features heavy-duty flexible rubber jacketing that withstands repeated coiling and transport, while shielded construction ensures clean signal transmission between balanced audio equipment. The bright orange color coding makes cable identification instant in complex rack setups or during dark teardowns.
Built with 22-gauge oxygen-free copper conductors and metal 3-pin XLR connectors (male to female), these cables maintain signal integrity across the full audio spectrum. The 6-foot length provides flexibility for rack-mounted gear connections without excess cable clutter that can cause ground loops or interference.
Use these patch cables to connect outboard processors in your live sound rig, link powered speakers in a DJ setup, or patch effects units in your studio rack. They work equally well for microphone connections in various audio applications.
Each cable terminates in standard XLR male and female connectors that mate securely with any professional audio equipment. The female connector attaches to your source output and the male connector attaches to your destination input. The 6-pack configuration gives you spares for critical connections.
Seismic Audio backs these patch cables with a one-year warranty and ships them ready for immediate deployment in your next gig or installation.
Technical Specifications
| Spec | Value |
|---|---|
| Length | 6 feet |
| Connector Type | 3-pin XLR (Male to Female) |
| Cable Construction | Shielded |
| Conductor Material | 22-gauge Oxygen-Free Copper |
| Jacket | Heavy Duty Flexible Rubber |
| Color | Orange |
| Quantity | 6 cables |
| Warranty | 1 year |
| Recommended For | Professional audio patching and microphone connections |
Frequently Asked Questions
What equipment can I connect with these XLR patch cables?
These cables work with any professional audio gear that uses balanced XLR connections, including mixing consoles, equalizers, compressors, crossovers, powered speakers, and amplifiers. They're also suitable for microphone connections in various professional audio applications.
How does the 6-foot length work for different setups?
The 6-foot length is ideal for rack-mounted equipment patching and most stage applications where you need to connect nearby components without excess cable length. This length minimizes cable clutter while providing enough reach for standard equipment spacing in both permanent installations and mobile setups.
Why choose orange cables over black ones?
Orange cables offer instant visual identification in complex audio setups, making troubleshooting and cable tracing much faster during live events or studio sessions. The bright color helps you quickly distinguish these patch cables from power cables, speaker cables, and other black audio connections in low-light conditions.
Can these cables handle phantom power for condenser microphones?
Yes, these shielded XLR cables can safely carry phantom power (typically 12-48V) from mixing consoles to condenser microphones. The balanced design and proper shielding ensure phantom power delivery without introducing noise or interference to your audio signal.
Can I use these XLR cables for DMX lighting control?
While these XLR cables have the correct 3-pin connector configuration for DMX applications, there are technical considerations. DMX signals require 120-ohm impedance cables, while audio XLR cables typically use 75-ohm impedance. This impedance mismatch can cause signal reflections, data errors, and unreliable lighting control, especially over longer cable runs or in complex lighting networks. For critical DMX applications, dedicated DMX cables are recommended to ensure reliable lighting control and prevent costly equipment failures during performances.
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