SAXLX-6 - 6 Pack of 6 Foot Color-Coded Balanced Male to Female XLR Microphone Patch Cables for Rack Gear, Mixers & PA Systems
This 6-pack of color-coded XLR patch cables solves the cable management headaches that plague studios, live sound rigs, and rack installations. Each 6-foot cable features a different color (blue, green, orange, red, yellow, purple) making signal tracing and troubleshooting fast and straightforward.
These balanced XLR cables handle clean signal transfer between mixers, processors, and amplifiers without the noise issues that plague unbalanced connections. The male-to-female 3-pin XLR connectors lock securely, preventing accidental disconnections during performances or recording sessions.
Built with 22 AWG oxygen-free copper conductors and full shielding, these cables maintain signal integrity across the audio spectrum. The heavy-duty PVC jacket flexes easily for routing through tight rack spaces while standing up to repeated setup and teardown. At 6 feet, they're the ideal length for rack gear patching, mixer-to-processor connections, and short stage runs without excess cable clutter.
Perfect for connecting microphones to mixers, patching between rack-mounted equalizers and compressors, or linking PA system components. The color coding eliminates the guesswork when you're troubleshooting a dead channel or rewiring your entire signal chain.
Ideal for musicians, DJs, churches, recording studios, content creators, and podcasters. Each cable connects any XLR output to any XLR input - the female connector attaches to your source output and the male connector attaches to your destination input. All six cables come ready to use out of the box.
Seismic Audio backs these patch cables with a one-year warranty and ships them fast so your rig stays running.
Technical Specifications
| Spec | Value |
|---|---|
| Cable Length | 6 feet |
| Connector Type | 3-Pin XLR Male to Female |
| Colors Included | Blue, Green, Orange, Red, Yellow, Purple |
| Conductor Gauge | 22 AWG |
| Conductor Material | Oxygen-Free Copper (OFC) |
| Shielding | Fully Shielded |
| Jacket Material | Heavy-duty PVC/Rubber |
| Quantity | Multi-Colored 6 Pack |
| Warranty | One Year |
| Recommended For | Rack patching, studio connections, live sound |
Frequently Asked Questions
What makes color-coded XLR cables better than standard black cables?
Color coding eliminates confusion during setup and troubleshooting by letting you instantly identify signal paths. When you have multiple XLR connections running between your mixer, processors, and amplifiers, the different colors make it easy to trace a problematic signal or rewire connections quickly. This saves significant time during sound checks and live performances.
Can these 6-foot XLR cables handle both microphone and line-level signals?
Yes, these balanced XLR cables work with any audio signal level including microphones, line outputs from mixers, and processed signals from rack gear. The 22 AWG oxygen-free copper conductors and full shielding maintain signal integrity whether you're running a quiet microphone signal or a hot line-level output from your mixer to a power amplifier.
Are 6-foot XLR cables long enough for typical rack installations?
Six feet is the standard length for most rack patching applications and mixer-to-processor connections. This length works well for connecting gear within the same rack or between adjacent racks without creating cable mess. For longer runs between your mixer position and stage, or mixer to front-of-house amplifiers, you'd want 10-foot or 25-foot cables.
Can these XLR patch cables be used with DMX lighting controllers?
While these 3-pin XLR cables physically connect to DMX equipment, using audio XLR cables for DMX applications has technical drawbacks. Audio XLR cables like these are designed for 75-ohm impedance, while DMX512 protocol requires 120-ohm impedance for proper signal transmission. This impedance mismatch can cause data errors, signal reflections, and unreliable lighting control, especially over longer cable runs or in complex lighting networks. For critical DMX applications, dedicated 120-ohm DMX cables are recommended to ensure reliable lighting control and prevent data corruption.
What's the difference between these patch cables and regular microphone cables?
The main difference is length and intended use. These 6-foot patch cables are designed for short connections between rack gear, mixers, and processors where you want minimal cable clutter. Regular microphone cables are typically 25 feet or longer for connecting mics to your mixer from across the stage. The construction quality and signal handling capability is identical.
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