SA-HPE25 (2 Pack) - 25' Headphone Extender Cables TRS Male to Female
The SA-HPE25 headphone extender cable 2-pack gives recording engineers, sound technicians, and studio musicians the reach they need for professional monitoring setups. These 25-foot extensions solve the common problem of headphone cables that fall short in larger control rooms or when talent needs to move around during tracking sessions.
Each cable extends your existing headphone connection by 25 feet without signal degradation, using quality 20-gauge wire construction that maintains audio integrity across the full frequency spectrum. The 1/4" TRS male-to-female configuration works with professional studio headphones, DJ cue systems, and monitor mixing boards.
The balanced TRS connections ensure clean signal transfer for both stereo headphones and professional monitoring applications. Twenty-gauge wire provides the current capacity needed for high-impedance studio headphones while minimizing resistance over the 25-foot length. The sturdy connectors handle repeated plugging and unplugging in demanding studio and live sound environments.
Use these extensions in recording studios where talent needs to move between vocal booths and instrument positions, live sound applications where monitor engineers need extended headphone reach, or DJ setups where cue monitoring requires longer cable runs. They're equally useful for broadcast studios, podcast recording setups, and any professional audio environment where standard headphone cables limit positioning.
Simply connect the male end to your headphone output and plug your headphones into the female connector. No adapters needed for standard 1/4" TRS headphone connections. Each cable includes Seismic Audio's one-year warranty and ships ready for immediate use in professional audio applications.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SA-HPE25 (2 Pack) |
| Cable Type | Extension Cable |
| Length | 25 Feet |
| Wire Gauge | 20 Gauge |
| Connector A | 1/4" TRS Male |
| Connector B | 1/4" TRS Female |
| Configuration | Balanced TRS |
| Quantity | 2 Cables |
| Warranty | One Year |
| Recommended For | Studio monitoring, DJ cue systems, live sound |
Frequently Asked Questions
What type of headphones work with these extension cables?
These cables work with any professional headphones that use standard 1/4" TRS connectors, including studio monitors like Sony MDR-7506, Audio-Technica ATH-M50x, and Sennheiser HD series. They're designed for balanced stereo connections and maintain signal quality for both low and high-impedance headphones commonly used in recording studios and live sound applications.
Can I connect multiple extension cables together for longer runs?
Yes, you can daisy-chain these cables for runs longer than 25 feet, though each additional connection point introduces potential signal loss and connector wear. For runs over 50 feet total, consider using a headphone amplifier or distribution system to maintain optimal signal strength and audio quality.
Do these cables work with DJ equipment and mixers?
These extensions are perfect for DJ cue monitoring systems that use 1/4" headphone outputs. They provide the reach needed for DJs who need to move around booth setups while maintaining headphone connection to mixers, CDJs, or DJ controllers. The 20-gauge wire handles the signal levels typical in DJ monitoring applications.
What's the difference between TRS and TS connectors for this application?
These cables use TRS (tip-ring-sleeve) connectors that carry balanced stereo signals, essential for proper headphone monitoring. TS connectors only carry mono signals and won't work correctly with stereo headphones. The TRS configuration ensures you get full left and right channel separation for accurate monitoring.
Will 25 feet cause any signal loss or audio quality issues?
The 20-gauge wire construction minimizes signal loss over 25 feet, maintaining audio quality for professional monitoring applications. You may notice slight high-frequency rolloff with very sensitive headphones, but the effect is minimal and well within acceptable limits for studio and live sound monitoring work.
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