The SATRXL-M6 multi-color cable pack gives sound engineers and mobile performers an organized solution for balanced connections between mixers, processors, and amplifiers. Eight color-coded cables eliminate signal routing confusion during live events and studio sessions.

These balanced XLR male to 1/4" TRS cables maintain clean signal transfer from mixing consoles to equalizers, crossovers, compressors, and power amplifiers. The balanced design prevents noise pickup across longer cable runs, keeping your audio signal intact from source to destination.

Each 6-foot cable features metal XLR male connectors on one end and metal 1/4" TRS connectors with high-grade fiberglass insulators on the other. The heavy-duty flexible rubber jacket protects the 22-gauge oxygen-free copper conductors during transport and regular use. Eight distinct colors—black, blue, green, orange, red, yellow, purple, and white—let you color-code signal paths for faster setup and troubleshooting.

Perfect for mobile DJs running separate channels to different zones, live sound engineers connecting outboard gear, or studio setups requiring multiple balanced connections. The 6-foot length works well for rack-to-rack connections and console-to-processor runs without excess cable clutter.

These professional patch cables connect any XLR output to 1/4" TRS inputs, handling the most common studio and live sound routing scenarios. The complete 8-pack comes ready to use with no additional adapters required.

Seismic Audio backs these cables with a one-year warranty and fast shipping to get your signal chain connected reliably.

Technical Specifications

Frequently Asked Questions

What equipment do these XLR to 1/4" TRS cables connect?

These cables connect mixing console XLR outputs to rack-mounted processors, equalizers, crossovers, compressors, and amplifiers with 1/4" TRS inputs. They're also used to route signals between different pieces of outboard gear where one unit has XLR outputs and another has 1/4" TRS inputs. The balanced configuration maintains signal quality across the connection.

Why do I need different colored cables for audio connections?

Color-coding eliminates confusion during live events and studio sessions by letting you visually trace signal paths. You can assign specific colors to different channels, zones, or signal types—for example, red for vocals, blue for drums, green for keyboards. This speeds up setup time and makes troubleshooting much faster when you need to identify a specific connection.

Are these cables suitable for microphone connections?

No, these cables are designed for line-level connections between mixers and processors, not microphone connections. Microphones typically require XLR female to XLR male cables. These XLR male to 1/4" TRS cables are specifically for connecting balanced line outputs from mixers to balanced line inputs on amplifiers and rack gear.

How long should my patch cables be for rack-mounted gear?

Six-foot cables work well for most rack-to-rack connections and mixer-to-processor routing without creating cable clutter. This length provides enough reach for equipment spaced across a rack case or between nearby equipment racks while avoiding excess cable that can create signal path confusion and workspace mess.

Do these cables work with unbalanced 1/4" inputs?

Yes, these balanced TRS cables will work with unbalanced 1/4" TS inputs, though you'll lose the noise rejection benefits of balanced operation. The TRS connector will make contact with unbalanced TS jacks, but the connection becomes unbalanced. For best results, use these cables with equipment that has true balanced 1/4" TRS inputs.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov