SARMSS-24x530 - 24 Channel XLR TRS Combo Splitter Snake Cable - 5' and 30' XLR trunk
The SARMSS-24x530 is a rack-mountable splitter snake designed for live sound engineers, venue owners, and touring acts who need reliable signal distribution from a central mixing position to the stage. This 24-channel system handles everything from small band setups to full production rigs requiring multiple monitor mixes or FOH splits.
This splitter snake takes 24 input signals and splits each one into two identical outputs via hardwired Y-splits. The 3-space rack-mountable steel stage box accepts both XLR and 1/4" TRS connections through combo jacks, while dual fantail outputs terminate in male XLR connectors. Each of the 24 channels uses 22-gauge conductors with individual shielding to prevent crosstalk and reject interference.
The system includes one 5-foot trunk and one 30-foot trunk, giving you flexibility for different stage layouts and equipment positioning. All connections are clearly labeled and color-grouped for quick setup, while the heavy-duty steel construction handles the demands of regular transport and installation.
Use this splitter for feeding both front-of-house and monitor consoles simultaneously, creating mult boxes for recording splits, or distributing signals across large venues. It works well for churches, theaters, and touring rigs where you need clean signal distribution without the complexity of active electronics.
Connect your microphones and instruments to the combo jacks on the stage box, then run the two fantails to your mixing consoles or other destinations. The system passes 48V phantom power for condenser microphones. Seismic Audio backs this splitter snake with a one-year warranty and fast shipping.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SARMSS-24x530 |
| Channels | 24 |
| Configuration | Splitter snake (send only, no returns) |
| Stage Box | 3-space rack mountable steel construction |
| Input Connectors | XLR/TRS 1/4" combo jacks (female) |
| Output Connectors | Male XLR fantail ends |
| Trunk Lengths | One 5' trunk, one 30' trunk |
| Cable Construction | 22-gauge conductors, individually shielded pairs |
| Phantom Power | Passes 48V phantom power |
| Labeling | Clearly labeled stage box and color-grouped fantails |
| Weight | 24.4 lbs |
| Warranty | One year |
| Recommended For | Live sound splits, monitor feeds, recording studios |
Frequently Asked Questions
Does this splitter work with condenser microphones that need phantom power?
Yes, this splitter passes 48V phantom power from your mixing console through to condenser microphones connected to the stage box. The phantom power travels through both output trunks, so condenser mics will receive power regardless of which console provides it. This makes it ideal for live sound applications with multiple mixing positions.
What's the difference between the 5-foot and 30-foot trunks?
Both trunks carry identical signals from the same 24 input channels. The 5-foot trunk is typically used for nearby equipment like a front-of-house console, while the 30-foot trunk provides reach for monitor consoles, recording feeds, or distant equipment racks. You get maximum flexibility for different venue layouts and equipment positioning.
Can I use both XLR and 1/4" inputs on the same channel?
No, each channel has a combo jack that accepts either an XLR or 1/4" TRS connection, but not both simultaneously. The combo jack design saves space while giving you input flexibility for different types of microphones and instruments. Choose the connection type that best matches your source equipment.
Do I need any additional cables or adapters to use this system?
The splitter snake includes everything needed for basic operation - the rack-mountable stage box and both fantail trunks with connectors. You'll need standard XLR cables to connect the fantail outputs to your mixing consoles or other destination equipment. No adapters or converters are required since both ends use professional XLR connections.
How do I set up the dual trunks for different console positions?
Position the stage box where your microphones and instruments connect, then run the 5-foot trunk to your nearest mixing position - typically the front-of-house console if it's close to the stage. Use the 30-foot trunk to reach your monitor console, recording setup, or any equipment rack positioned farther away. This dual-length design eliminates excess cable clutter while ensuring you have enough reach for both mixing positions without purchasing separate extension cables.
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