SAXLX-25 - Gray 25 Foot XLR Microphone Cable
The SAXLX-25 is a 25-foot XLR microphone cable designed for musicians, DJs, churches, and recording studios who need reliable signal transmission between microphones, mixers, and PA equipment. This balanced cable delivers consistent audio quality for live sound applications where signal integrity matters.
Built with 22-gauge oxygen-free copper conductors, this cable provides enhanced signal clarity and superior RF rejection to minimize interference from wireless devices and electrical equipment. The heavy-duty flexible rubber jacket protects the internal wiring while remaining easy to coil and transport between gigs.
The cable features metal 3-pin XLR connectors (male to female) that create secure connections with professional microphones, mixing consoles, speakers, and signal processors. At 25 feet, it provides enough reach for most stage setups while maintaining clean signal transmission. The shielded design prevents electromagnetic interference that can cause hum or buzz in your sound system.
This XLR cable works for connecting dynamic and condenser microphones to mixers, patching between audio processors, or studio recording sessions. It serves musicians, DJs, churches, recording studios, content creators, and podcasters for professional audio applications.
Simply connect the female XLR connector to your source output and the male XLR connector to your destination input. The cable ships ready to use with no additional adapters required.
Seismic Audio backs this microphone cable with a one-year warranty and fast shipping to keep your audio setup running without delays.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAXLX-25 |
| Length | 25 Feet |
| Connectors | 3-Pin XLR Male to Female |
| Cable Type | Balanced Shielded |
| Conductor | 22-Gauge Oxygen-Free Copper |
| Jacket | Heavy Duty Flexible Rubber |
| Color | Gray |
| Warranty | One Year |
| Recommended For | Live sound, studio recording, broadcast, content creation |
Frequently Asked Questions
What microphones work with this XLR cable?
This cable works with any microphone that has a standard 3-pin XLR output, including dynamic mics like the Shure SM58, condenser mics that require phantom power, and ribbon microphones. The balanced design and oxygen-free copper conductors ensure clean signal transmission for both vocal and instrument microphones in live and studio applications.
Can I use this cable for DMX lighting control?
While this cable physically connects to DMX lighting fixtures due to the same 3-pin XLR connectors, it's not ideal for DMX applications. Audio XLR cables are typically 75-ohm impedance while DMX512 lighting requires 120-ohm impedance cables. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer cable runs. For critical lighting applications, use cables specifically designed for DMX512.
Does this cable require phantom power to work?
The cable itself doesn't require phantom power - it simply passes phantom power from your mixer or audio interface to condenser microphones that need it. The balanced design and shielding ensure that 48V phantom power reaches your microphone without interference while protecting the signal from electromagnetic noise.
How does this compare to unbalanced microphone cables?
This balanced XLR cable provides superior noise rejection compared to unbalanced cables, especially over longer distances. The balanced design cancels out electromagnetic interference from stage lights, wireless devices, and electrical equipment that can cause hum and buzz in unbalanced connections. Professional live sound systems use balanced XLR connections as the standard.
What applications is this cable suitable for?
This cable works for live sound reinforcement, studio recording, podcast production, content creation, broadcasting, church sound systems, school presentations, DJ setups, mobile entertainment, theater productions, and film audio capture. The 25-foot length accommodates most small to medium applications where microphones need to connect to mixing equipment.
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