FL-10MP-PW - Pair of Premium Powered 2-Way 10" PA Floor Monitors with Titanium Horns
The FL-10MP-PW powered floor monitors deliver professional stage monitoring for bands, solo performers, and vocalists who need to hear themselves clearly during live performances. These active 2-way monitors eliminate the need for external amplifiers while providing reliable wedge-style monitoring for small to medium venues.
Each monitor puts out 250 watts RMS with 500 watts peak power through a 10-inch woofer and titanium compression driver. The built-in Class D amplifier provides efficient power delivery with less heat buildup than traditional designs. The 3-band EQ (treble, mid, bass) lets you dial in your monitor mix without needing a separate graphic EQ.
The 10-inch driver and ported cabinet design deliver frequency response from 65 Hz to 20 kHz, covering vocals and most instruments with 96 dB sensitivity and 105 dB maximum SPL. The 7-ply birch plywood construction with black carpet covering and metal corners handles regular transport while the recessed metal handles make loading easier.
Perfect for singer-songwriters, small bands, and DJ setups in venues up to 200 people. The dual pole mount options let you use these as main speakers when needed. XLR input/output connections allow daisy-chaining multiple monitors, plus there's a 3.5mm input for direct connection of phones or tablets.
Connect via standard XLR cables to your mixer's monitor outputs. The front-mounted amplifier panel puts volume and EQ controls within easy reach during setup. Ships as a matched pair with one-year warranty and fast delivery from Seismic Audio.
Technical Specifications
| Spec | Value |
|---|---|
| Power (RMS) | 250 watts each |
| Power (Peak) | 500 watts each |
| Amplifier Type | Class D |
| Woofer | 10" with 60 oz magnet, 2" voice coil |
| HF Driver | Titanium compression driver |
| Frequency Response | 65 Hz - 20 kHz |
| Max SPL | 105 dB |
| Sensitivity | 96 dB |
| Impedance | 8 ohms |
| Inputs | XLR female, 3.5mm |
| Outputs | XLR male |
| Connectivity | Daisy-chainable |
| Onboard Controls | 3-band EQ, gain control, volume |
| Cabinet | 7-ply birch plywood, ported |
| Covering | Black carpet with metal corners |
| Dimensions | 21.75" H x 13" W x 14.75" D |
| Weight | 36.3 lbs each |
| What's in Box | Pair of powered monitors |
| Warranty | One year |
| Power Supply | 110V-120V or 220V-240V selectable |
| Recommended For | Live sound, stage monitoring, small venues |
Frequently Asked Questions
How many people can these monitors cover for stage monitoring?
These 250-watt powered monitors work well for stage monitoring in venues up to 200 people. The 105 dB maximum SPL provides enough volume for most band situations without feedback issues when positioned correctly. For larger venues or louder bands, consider stepping up to 12-inch or 15-inch powered monitors.
What cables do I need to connect these to my mixer?
You'll need standard XLR cables to connect from your mixer's monitor outputs to the monitors' XLR inputs. The monitors include XLR outputs for daisy-chaining additional units if needed. The 3.5mm input accepts standard headphone cables for direct connection of phones or music players.
Can I use these as main PA speakers instead of just monitors?
Yes, these monitors include pole mount inserts on both the bottom and side, allowing them to work as main speakers on stands when needed. The 250 watts RMS and 10-inch driver provide adequate coverage for smaller acoustic gigs or DJ sets, though dedicated main speakers typically offer better projection for audience coverage.
Do these monitors need a subwoofer for full-range sound?
The 65 Hz low-end response covers most vocal and instrument fundamentals without a subwoofer, making them suitable for monitor duty with most sources. If you're monitoring bass guitar or kick drum heavily, or using them as mains for bass-heavy music, adding a subwoofer will provide more complete low-end extension.
How do the built-in EQ controls work for stage monitoring?
The 3-band EQ lets you cut problematic frequencies that cause feedback or boost frequencies you need to hear better in your monitor mix. Typically you'd cut some midrange to reduce feedback potential and adjust treble based on whether you need more vocal clarity or want to tame harsh frequencies from instruments.
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