Professional XLR patch cables designed for musicians, DJs, churches, recording studios, mobile entertainers, and content creators who need reliable balanced connections in live sound systems. This 6-pack of white 10-foot cables handles the backbone connections between mixers, amplifiers, processors, and stage monitors.

Each cable features male and female 3-pin XLR connectors with metal construction for durability under constant plugging and unplugging. The 22-gauge oxygen-free copper conductors deliver clean signal transmission, while shielded construction prevents interference from nearby power cables and wireless equipment.

The 10-foot length works well for most rack-to-rack connections and short stage runs without excess cable cluttering your setup. Heavy-duty rubber jackets withstand the wear of load-ins, tear-downs, and storage in road cases. White color coding helps with cable management in complex systems where signal routing needs to be visible.

Use these for connecting your mixer to power amplifiers, linking processors in your rack, or running feeds to floor monitors. They work equally well for microphone connections when you need that specific 10-foot length. The 6-pack quantity handles most small-to-medium PA system requirements without buying excess inventory.

Cables arrive ready to use with standard 3-pin XLR terminations that connect to any professional audio equipment. The female connector attaches to your source output and the male connector attaches to your destination input. Seismic Audio backs each cable with a one-year warranty and ships fast to keep your system running.

Technical Specifications

Frequently Asked Questions

What's the difference between XLR patch cables and microphone cables?

There's no functional difference - both use the same 3-pin XLR connectors and balanced wiring. The term "patch cable" typically refers to shorter cables used for equipment connections, while "microphone cables" usually describes longer runs from mics to the mixer. These 10-foot cables work perfectly for either application.

Can I use these white XLR cables for DMX lighting control?

While XLR cables will physically connect to DMX lighting fixtures since they use the same 3-pin connector, there are important technical considerations. Audio XLR cables are typically built to 75-ohm impedance specifications, while DMX512 protocol calls for 120-ohm impedance cables. This impedance mismatch can cause signal reflections and data errors in complex lighting systems. For basic setups with short cable runs, these may function adequately, but you risk intermittent fixture dropouts, flickering, or communication failures. Professional lighting designers recommend purpose-built DMX cables with proper impedance matching and AES/EBU-rated construction for reliable lighting control.

How many cables do I need for a typical small band setup?

A 4-piece band typically needs 8-12 XLR connections: 4-6 microphones, 2-4 monitor feeds, and 2 connections from mixer to power amp. This 6-pack handles about half those connections, making it ideal for smaller setups or as backup cables for larger systems.

Will the white color show dirt and wear more than black cables?

White cables do show scuffs and dirt more readily than black ones, but the heavy-duty rubber jacket cleans easily with standard cable wipes. Many engineers prefer white for permanent installations where cable routing needs to be visible, while black remains popular for portable rigs.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov