SAXLX-6 - 6 Pack of White 6 Foot XLR Patch Cables
The SAXLX-6 White 6-pack provides professional XLR patch cables for musicians, DJs, podcasters, recording studios, churches, and mobile entertainers who need reliable balanced connections. These 6-foot cables handle the signal routing that keeps professional audio systems running smoothly.
Each cable features male and female 3-pin XLR connectors with solid metal construction that stands up to regular plugging and unplugging. The heavy-duty rubber jacket protects the internal wiring while remaining flexible enough for easy cable management behind racks and around stage setups.
Built with 22-gauge oxygen-free copper conductors and proper shielding, these cables maintain signal integrity across balanced connections. The 6-foot length works well for patch bay connections, rack-mounted gear linking, and short runs between mixers and processors. White jacketing makes cable identification simple in complex routing situations.
Use these cables to connect mixing consoles to equalizers, crossovers to amplifiers, or any gear requiring balanced XLR connections. They also work for microphone runs. The female connector attaches to your source output and the male connector attaches to your destination input. The 6-foot length suits control rooms, DJ booths, and equipment racks where longer cables create unnecessary clutter.
Each cable terminates in quality XLR connectors that lock securely and release cleanly. The 6-pack format reduces per-cable cost while ensuring you have spares when building or expanding professional audio systems.
Seismic Audio backs these cables with a one-year warranty and ships them ready to connect your professional audio gear.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAXLX-6White |
| Quantity | 6-Pack |
| Length | 6 feet per cable |
| Connector Type | 3-pin XLR (male to female) |
| Conductor | 22-gauge oxygen-free copper |
| Construction | Shielded |
| Jacket | Heavy-duty flexible rubber |
| Color | White |
| Warranty | 1 year |
| Recommended For | Professional patch bays and balanced connections |
Frequently Asked Questions
What equipment can I connect with these XLR patch cables?
These cables work for any gear with balanced XLR inputs and outputs, including mixing consoles, equalizers, compressors, crossovers, amplifiers, and audio processors. They're also suitable for microphone connections. The balanced design maintains signal quality across professional audio equipment.
How long are these cables and is 6 feet the right length for my setup?
Each cable measures exactly 6 feet, making them ideal for patch bay connections, rack-mounted equipment linking, and short runs in control rooms or DJ booths. This length prevents cable clutter while providing enough reach for most professional audio routing needs without excess slack.
Can I use these cables for both microphones and line-level connections?
Yes, these XLR cables handle both microphone-level and line-level signals since they're designed for balanced audio connections. Whether you're connecting a microphone to a mixer or linking line-level processors, the same cable works for both applications.
What's the difference between these white cables and standard black XLR cables?
The white color provides easy identification in complex audio setups where cable management matters. Functionally, they perform identically to black XLR cables with the same 22-gauge oxygen-free copper conductors and shielding. The white jacket simply makes routing and troubleshooting easier.
Do these cables work with phantom power for condenser microphones?
Yes, these balanced XLR cables properly carry phantom power from mixing consoles to condenser microphones. The shielded construction and quality connectors ensure reliable phantom power delivery while maintaining signal integrity for professional recording and live sound applications.
Can I use these XLR cables for DMX lighting control?
While these cables physically connect to DMX fixtures, they're not ideal for DMX applications. Audio XLR cables typically have 75-ohm impedance while DMX requires 120-ohm impedance for proper signal transmission. This impedance mismatch can cause data errors, signal reflections, and unreliable lighting control, especially over longer cable runs. For occasional short-distance DMX use, they may function, but dedicated DMX cables with proper 120-ohm impedance provide more reliable lighting control.
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