SAXLX-25 - 6 Pack of Brown 25 Foot XLR Microphone Cables
The SAXLX-25 Brown 6-Pack delivers professional XLR microphone cables built for musicians, DJs, content creators, schools, recording studios, and podcasters who need reliable signal transmission. Each 25-foot cable features heavy-duty construction that stands up to regular stage use and transport.
These balanced XLR cables handle microphone connections, mixer patching, and equipment linking with consistent performance. The 22-gauge oxygen-free copper conductors provide clean signal transfer while the shielded design rejects RF interference that can plague cheaper cables.
Metal 3-pin XLR connectors (male to female) lock securely into mixers, microphones, and processors. The flexible rubber jacket protects internal wiring from kinks and stage abuse while remaining easy to coil and store. At 25 feet per cable, you get the reach needed for most stage setups without excess length creating cable management issues.
Perfect for band PA systems, church sound setups, and mobile DJ rigs where multiple microphone runs are standard. The brown color coding helps with cable management in complex installations or when running multiple lines to different zones.
Each cable terminates in standard 3-pin XLR connectors that fit any professional audio equipment with XLR inputs and outputs. The female connector links to your source output and the male connector links to your destination input. The 6-pack format provides enough cables for typical multi-microphone setups.
Seismic Audio backs these professional-grade cables with a one-year warranty. Free shipping ensures you get reliable connectivity without the markup of music store pricing.
Technical Specifications
| Spec | Value |
|---|---|
| Cable Length | 25 feet each |
| Quantity | 6 cables per pack |
| Color | Brown |
| Connector Type | 3-pin XLR (Male to Female) |
| Conductor Material | 22-gauge Oxygen-Free Copper (OFC) |
| Jacket Material | Heavy Duty Flexible Rubber |
| Shielding | Yes |
| Warranty | 1 year |
| Recommended For | Multi-mic setups, equipment patching |
Frequently Asked Questions
What's the difference between XLR microphone cables and regular audio cables?
XLR cables use balanced connections with three conductors (positive, negative, and ground) that cancel out interference and noise. This makes them essential for professional microphone connections and long cable runs where regular unbalanced cables would pick up hum and RF interference. The locking XLR connectors also prevent accidental disconnection during performances.
How many microphones can I connect with this 6-pack of cables?
This 6-pack handles up to 6 individual microphones or other XLR devices. Most small to medium band setups use 4-8 microphones (vocals, drums, instruments), so this pack covers typical multi-mic applications. For larger setups requiring more than 6 microphone positions, you'd need additional cable packs.
Can these cables work for both microphones and equipment patching?
Yes, these XLR cables work for microphone connections and balanced line-level patching between mixers, equalizers, crossovers, and amplifiers. The same 3-pin XLR connection standard handles both applications.
Is 25 feet the right length for most live sound applications?
25-foot cables provide good reach for most stage setups without creating cable management problems. This length works well for connecting stage microphones to mixers positioned at front-of-house locations, or for patching between rack-mounted equipment. Shorter cables limit positioning options while longer cables create more coiling and potential signal issues.
Why choose brown cables over standard black ones?
Brown cables help with visual organization in complex audio setups where you're running multiple cable types or need to identify specific signal paths quickly. Many sound engineers use color coding to separate microphone lines from instrument lines or to designate different zones in multi-room installations. The brown color stands out from typical black cable runs.
Can these audio XLR cables be used for DMX lighting applications?
While these cables can physically connect to DMX lighting fixtures, they're not optimal for DMX use. Audio XLR cables typically have 75-ohm impedance while DMX systems require 120-ohm cables. Using 75-ohm audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer runs or complex daisy-chain setups. For critical DMX applications, dedicated 120-ohm DMX cables provide better performance and reliability.
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