The SAXLX-10 Brown XLR patch cable delivers reliable balanced audio connections for musicians, DJs, sound engineers, churches, content creators, and mobile entertainers who need dependable signal routing between mixers, processors, and amplifiers. This 10-foot brown cable maintains professional signal integrity in demanding environments.

Built with 22-gauge oxygen-free copper conductors and comprehensive shielding, this XLR cable ensures clean signal transfer without interference. The heavy-duty flexible rubber jacket protects against wear from repeated setup and teardown while maintaining flexibility for easy routing.

Metal 3-pin XLR connectors provide secure male-to-female connections that won't work loose during performances. The 10-foot length offers practical reach for rack-to-rack connections, mixer outputs to crossovers, or amplifier inputs without excess cable clutter. Brown coloring helps with cable management in installations where aesthetics matter.

Perfect for connecting mixing consoles to graphic EQs, crossovers to power amplifiers, or routing signals between processing racks. Also functions as a standard microphone cable for dynamic and condenser mics.

The female connector attaches to your source output and the male connector attaches to your destination input. The balanced design works with all professional audio equipment using XLR connections.

Seismic Audio backs this patch cable with a one-year warranty and fast shipping. Professional reliability at a price that won't break your gear budget.

Technical Specifications

Frequently Asked Questions

What equipment does this XLR patch cable connect?

This cable connects any professional audio gear with XLR inputs and outputs, including mixing consoles, graphic equalizers, crossovers, compressors, and power amplifiers. It's also compatible with microphones. The female XLR connects to outputs while the male XLR connects to inputs.

Can I use this cable for microphones?

Yes, this XLR cable works perfectly for dynamic and condenser microphones. The balanced design and shielding provide clean signal transfer for vocal and instrument mics. The 10-foot length gives performers comfortable reach while keeping cable runs manageable for most stage setups.

How does the brown color help with cable management?

Brown cables blend naturally with wood stages, speaker cabinets, and earth-tone installations where black cables might stand out. Many sound engineers use different colored cables to identify specific signal paths, making troubleshooting faster during live events or permanent installations.

Is 10 feet long enough for rack equipment connections?

Ten feet handles most rack-to-rack connections and mixer-to-processor routing in standard setups. This length reaches between adjacent racks, from mixing position to stage boxes, or connects equipment within the same rack case without excess cable creating clutter or signal degradation.

What makes this cable different from unbalanced audio cables?

XLR cables use balanced connections with three conductors (positive, negative, ground) that cancel interference and noise over long runs. Unlike unbalanced 1/4" or RCA cables, XLR connections lock securely and maintain clean signal even in electrically noisy environments with stage lighting and power amplifiers.

Can this cable be used for DMX lighting applications?

While this cable will physically connect to DMX equipment, it's not recommended for DMX applications. DMX requires 120-ohm impedance cables, while audio XLR cables typically use 75-ohm impedance. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer runs. For proper DMX performance, use cables specifically designed for DMX512 protocol.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov