The SAXQ-16x8x100 snake cable handles complex live sound setups where you need to run multiple mic and instrument signals from stage to your mixing position. This 100-foot multicore cable delivers 16 send channels and 8 return channels, giving you the I/O capacity for full band performances, corporate events, and house of worship applications.

Built around 22-gauge oxygen-free copper conductors with individual shielding on every pair, this snake maintains signal integrity across the full 100-foot run. The heavy-duty steel stage box features both XLR and TRS outputs for the 8 return channels, letting you feed monitors, effects processors, or recording interfaces without additional adapters.

The fantail end provides color-coded and numerically labeled XLR connections for fast setup in dim stage environments. Each conductor pair runs through individual shielding to prevent crosstalk between channels, while heavy-duty strain relief at both ends protects connection points from cable pulls and stage movement.

This configuration works well for venues seating 200-500 people where the mix position sits far from the stage. Connect microphones, DI boxes, and instruments to the stage box, then run individual channels to your mixer at front-of-house. The parallel TRS and XLR returns handle monitor feeds, effects sends, or recorder outputs.

Setup requires only the snake itself — XLR and TRS connectors are built into both ends. The 52-pound steel stage box includes a carrying handle for transport between venues.

Seismic Audio backs this snake with a one-year warranty and ships direct from our warehouse for reliable delivery to your door.

Technical Specifications

Frequently Asked Questions

What size venues work best with this 100-foot snake?

This snake length suits venues seating 200-500 people where your mixing position sits 80-90 feet from the stage. The 100-foot length provides enough cable to run from stage to a front-of-house position in most clubs, small theaters, and worship spaces without needing extension cables or dealing with excess cable coiled on the floor.

Can I use both XLR and TRS outputs on the return channels simultaneously?

Yes, the 8 return channels feature parallel XLR and TRS connections on the stage box end, meaning both outputs carry the same signal. This lets you feed a monitor mixer through XLR while simultaneously sending the same signal to a recording interface or effects processor via TRS, without signal splitting or additional hardware.

How does the 16x8 configuration compare to simpler snake options?

The 16x8 setup provides more return channels than basic 16x4 snakes, giving you dedicated monitor feeds for multiple musicians plus effects sends. If you're only running vocals and a few instruments with minimal monitor needs, a 12x4 snake might suffice. For full bands with individual monitor mixes or complex effects routing, the 8 return channels prove essential.

What connections do I need on my mixer for this snake?

Your mixer needs at least 16 XLR inputs for the send channels, which covers most mid-range mixing boards. The 8 return channels connect via XLR or TRS outputs from your mixer - typically your aux sends, effects returns, or monitor outputs. Most 16+ channel mixers provide sufficient outputs, though check your specific board's configuration.

Does the individual shielding really prevent interference between channels?

The individual pair shielding effectively isolates each channel from crosstalk and electromagnetic interference. Without this shielding, signals from high-output sources like guitar pickups or keyboards can bleed into adjacent microphone channels, creating unwanted noise. The 22-gauge OFC conductors combined with individual shielding maintain clean signal transmission across all 24 total channels simultaneously.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov