The SALS-16x8x50 is a professional 16-channel snake cable designed for live sound engineers, studio operators, and venue techs who need reliable signal routing between stage and mixing console. This 50-foot multicore cable handles complex setups where multiple microphones and instruments need to connect to your board with minimal cable clutter.

This snake provides 16 XLR sends for microphones and direct inputs, plus 8 returns that offer maximum flexibility with both XLR and 1/4" TRS connections at the stage box. The parallel return configuration means you can connect powered monitors, amplifiers, or effects units using either connector type without adapters.

Built with 22-gauge oxygen-free copper conductors and 100% individually shielded pairs, the cable maintains signal integrity while rejecting RF interference. The heavy-duty steel stage box includes a carry handle and withstands regular transport, while color-coded and numerically labeled connections on both ends eliminate guesswork during setup. All connections feature proper strain relief to prevent connector failure.

This snake works well for bands playing venues with 200-500 capacity, church installations, and recording studios where the mixing board needs to be positioned away from performers. Perfect for situations where you're running 12-16 inputs and need monitor or effects sends back to the stage.

The fantail connects directly to your mixing console's XLR inputs and outputs, while the stage box sits near your performers. Ships with Seismic Audio's one-year warranty and fast shipping to get your setup running quickly.

Technical Specifications

Frequently Asked Questions

What venues does a 16-channel snake work best for?

This snake handles venues seating 200-500 people where you need to run multiple microphones for a full band setup. It's ideal for clubs, small theaters, church sanctuaries, and recording studios where the mixing console needs to be positioned 30-50 feet from the stage area.

Can I use both XLR and TRS returns at the same time?

Yes, the 8 return channels at the stage box have parallel XLR and 1/4" TRS connections, meaning both connectors carry the same signal. You can connect a powered monitor to the XLR and an effects processor to the TRS simultaneously, or choose whichever connector type works best for your gear.

What's the difference between the stage box returns and fantail returns?

The stage box has 8 returns with both XLR and TRS connectors for maximum flexibility. The fantail end has 8 separate connectors (4 XLR, 4 TRS) that connect to your mixing console's outputs. This gives you options for connecting different types of outboard gear at the console end.

Do I need any additional cables to use this snake?

The snake is a complete cable assembly - no additional multicore cables needed. You'll just need standard XLR cables to connect from your microphones to the stage box sends, and XLR or TRS cables to connect the fantail to your mixing console inputs and outputs.

How does 22-gauge compare to thinner snake cables?

The 22-gauge conductors provide better signal transmission and lower resistance than typical 24 or 26-gauge snake cables. Combined with individual shielding on each pair, this reduces noise and maintains signal quality over the 50-foot run, which is especially important for low-level microphone signals.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov