SASRT-4x5 - 4 Channel 1/4" TRS Snake Cable - 5 Feet
The SASRT-4x5 four-channel TRS snake cable streamlines studio patching and live sound routing for musicians, engineers, and mobile performers who need reliable multi-channel connections. This 5-foot cable eliminates the need for multiple individual patch cables when connecting effects processors, outboard gear, or multi-channel devices to mixing consoles.
Built with four balanced 1/4" TRS connectors on each end, this snake handles line-level signals between your mixer and external processors like reverbs, compressors, or multi-effects units. The TRS (tip-ring-sleeve) configuration supports balanced connections that reject noise and interference better than unbalanced TS cables.
Each channel features 22-gauge high-purity copper conductors with gold-plated tips for reliable signal transfer and corrosion resistance. Color coding and numerical labeling on each connector prevents mix-ups during setup, while serviceable ends allow for field repairs if needed. The 5-foot length works well for desktop studio setups, equipment racks, and compact mobile rigs where longer cables would create clutter.
This snake excels in home studios for processor loops, mobile DJ setups connecting effects to mixers, and live band rigs routing multiple channels between stage boxes and mixing boards. The short length minimizes signal loss while keeping cable management clean in tight spaces.
Connect TRS outputs from your mixer's aux sends or insert points directly to TRS inputs on effects processors or other line-level gear. All four channels and necessary connectors come ready to use out of the box.
Seismic Audio backs this snake cable with a one-year warranty and ships it ready for immediate use in your studio or live rig.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SASRT-4x5 |
| Channels | 4 x 1/4" TRS each end |
| Length | 5 feet |
| Conductor | 22-gauge high purity copper |
| Connector Type | 1/4" TRS (balanced) |
| Connector Plating | Gold-tipped |
| Construction | Serviceable ends |
| Identification | Color coded and numerically labeled |
| Application | Audio frequency control cable |
| Warranty | One year |
| Recommended For | Studio patching, effects loops, rack connections |
Frequently Asked Questions
What's the difference between TRS and TS snake cables?
TRS (tip-ring-sleeve) connectors support balanced signals that reject noise and interference, making them ideal for connecting professional audio gear like effects processors and mixing console inserts. TS connectors are unbalanced and typically used for instrument cables. This TRS snake provides cleaner signal transfer for studio and live sound applications.
How long should my snake cable be for a home studio setup?
For desktop studios and equipment racks, 5 feet provides enough reach to connect mixers to nearby outboard gear without excess cable clutter. Longer cables can introduce signal loss and create messy cable management in compact spaces. This length works well for connecting mixer aux sends to effects processors within the same rack or desktop area.
Can I use this snake cable to connect multiple instruments to my mixer?
This snake is designed for line-level connections between audio equipment, not instrument-level signals. Use it to connect effects processors, outboard gear, or other line-level devices to your mixer's TRS inputs and outputs. For connecting multiple instruments, you'd need instrument cables or a snake designed for mic/instrument level signals.
What equipment works with 1/4" TRS connections?
Most professional mixing consoles, effects processors, compressors, reverb units, and audio interfaces use 1/4" TRS connections for balanced line-level signals. This snake works with mixer insert points, aux sends/returns, multi-channel effects units, and outboard processors that feature TRS I/O connections.
Are the connectors on this snake cable repairable?
Yes, this snake features serviceable ends that can be opened and repaired if a connector fails. This design allows you to replace internal components or resolder connections rather than discarding the entire cable. The serviceable construction makes it practical for mobile performers and studios where cables see heavy use.
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