The SA-DB8XF3 connects DB25 patch bays and multi-track recorders to mixing consoles and audio interfaces through eight individual XLR female outputs. This breakout cable eliminates the need for multiple individual connections when routing signals from digital audio workstations, analog mixers, or patch bay systems.

The 3-foot main cable terminates in a DB25 connector on one end and splits into an 18-inch fantail with eight XLR female connectors. This design keeps your rack connections clean while providing enough reach to connect equipment up to 3 feet apart without cable strain.

Each of the eight channels maintains signal integrity through quality construction and proper shielding. The DB25 connection follows standard pinout configurations compatible with most professional audio equipment including Pro Tools interfaces, analog tape machines, and patch bay systems. The XLR female outputs accept standard male XLR connections from microphones, instruments, or line-level sources.

Recording studios use this cable to connect multi-channel audio interfaces to mixing boards for tracking sessions. Live sound engineers deploy it for connecting stage boxes to digital mixers. Post-production facilities rely on it for routing signals between patch bays and monitoring systems or outboard gear racks.

The cable comes ready to use with no additional adapters needed. Connect the DB25 end to your interface or patch bay, then run XLR cables from each of the eight female connectors to your destination equipment.

Seismic Audio backs the SA-DB8XF3 with a one-year warranty and ships orders fast. Professional-grade connectivity that keeps complex signal routing organized and reliable.

Technical Specifications

Frequently Asked Questions

What equipment is this cable compatible with?

The SA-DB8XF3 works with any device that has a DB25 output following standard audio pinout configurations. This includes Pro Tools audio interfaces, analog multi-track recorders, patch bays, digital mixers with DB25 outputs, and many professional audio workstations. The XLR female ends accept standard XLR male connectors from microphones, instruments, or other line-level sources.

How long are the individual XLR connections?

The main cable is 3 feet long, and the fantail (where it splits into individual XLR connections) adds another 18 inches of reach. This means the XLR connectors can reach equipment positioned up to 4.5 feet total from the DB25 connection point, providing flexibility for rack mounting and equipment spacing in studios or live sound setups.

Can I use this for live sound applications?

Yes, this cable works well for live sound when you need to break out multiple channels from a stage box or digital mixer with DB25 outputs to individual mixing console inputs. It's particularly useful for connecting digital stage boxes to analog mixing boards or routing monitor sends to individual amplifiers in venues that handle 100-500 people.

Do I need any additional adapters or cables?

No additional adapters are required. The cable comes with DB25 male on one end and eight XLR female connectors on the other end, ready to use. You'll need standard XLR male cables to connect from the female ends to your destination equipment, but these are sold separately as they vary based on your specific routing needs.

How does this compare to using individual XLR cables?

This breakout cable reduces cable clutter by combining eight channels into one main cable run, making installations cleaner and more organized. It also ensures consistent signal quality across all channels and reduces the number of connections you need to make at the DB25 end. However, individual XLR cables offer more flexibility for custom lengths and routing paths.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov