The SAJT-24x4x100 is built for live sound engineers, bands, and venues that need reliable multichannel audio routing over long distances. This 100-foot snake cable connects your stage to your mixing console with 24 XLR sends and 4 TRS returns in one heavy-duty package.

This snake eliminates the need for individual cable runs by bundling 24 microphone inputs and 4 monitor returns into a single, manageable cable. The 22-gauge oxygen-free copper conductors deliver clean signal transmission while the individually shielded pairs prevent crosstalk and RF interference between channels.

At 100 feet long and weighing 39 pounds, this snake handles medium to large venues where the mixing position sits well back from the stage. The heavy-duty steel stage box withstands road use, while both the fantail and stage box feature clear numerical labeling plus color-coded fantail wires for quick identification during setup and teardown. High-quality XLR and TRS connectors at both ends ensure solid connections that won't fail mid-show.

Perfect for live bands running 16-24 inputs with monitor sends, church services with multiple microphones and instrument feeds, or rental companies serving venues up to 500 people. The 4 TRS returns handle stage monitor mixes or effects sends back to the stage.

Connects directly to any mixing console with XLR inputs and TRS outputs. The fantail plugs into your console while the stage box sits at your stage position. Heavy-duty strain relief protects both connection points from damage.

Seismic Audio backs this snake with a one-year warranty and ships it ready to work right out of the box.

Technical Specifications

Frequently Asked Questions

What size venues work best with this 100-foot snake?

This snake is ideal for medium to large venues where your mixing console sits 75-100 feet from the stage. Think concert halls, large churches, outdoor festivals, or club venues with the sound booth at the back of the room. For smaller venues under 300 people, a 50-foot snake might be more manageable, while larger outdoor events may need a longer run.

Do the TRS returns work for both monitor sends and effects?

Yes, the 4 TRS returns handle any balanced line-level signal from your console. Most commonly used for stage monitor mixes, but they also work for sending reverb or delay effects back to stage, feeding recording devices, or routing to powered speakers. Each return uses standard 1/4" TRS connectors compatible with most mixing consoles.

How does this compare to running individual XLR cables?

This snake replaces 28 individual cables (24 XLR mic cables plus 4 TRS cables) with one manageable run. Setup time drops dramatically, your stage stays cleaner, and you eliminate the risk of forgetting or losing individual cables. The individually shielded pairs also prevent interference between channels that can occur when bundling loose cables together.

What mixing consoles work with this snake?

Any mixing console with XLR inputs and TRS outputs will connect directly. This includes most analog and digital consoles from brands like Yamaha, Allen & Heath, Behringer, PreSonus, and Mackie. The fantail connects to your console's input section while the stage box sits near your microphones and instruments.

Can I use this snake for recording studio work?

Absolutely. Many studios use snakes like this to connect their live room to the control room, especially for tracking full bands or orchestras. The 100-foot length works well for larger studios, while the individually shielded pairs maintain signal integrity over the long run. The steel stage box also withstands repeated studio use better than plastic alternatives.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov