The SALS-16x8x100 gives live sound engineers and touring acts a professional 16-channel snake with flexible return options for complex mixing setups. This 100-foot multicore handles everything from mid-sized venue shows to outdoor festivals where you need reliable signal routing between stage and front-of-house.

Built around 22-gauge oxygen-free copper conductors with individual shielding on every pair, this snake delivers clean signal transmission without interference or crosstalk between channels. The dual return configuration provides both XLR and 1/4" TRS connections at the stage box, letting you route monitor sends back to powered speakers or feed line-level signals to recording gear simultaneously.

The heavy-duty steel stage box includes a carry handle and strain relief protection, while the fantail end features color-coded wiring and clear numerical labeling for quick identification during setup. At 48.8 pounds, it's substantial enough for professional use without being unwieldy for load-in and strike.

This snake works well for bands running 12-16 input sources who need monitor returns, churches with complex altar setups feeding both house and recording systems, or mobile DJs handling corporate events where you're mixing live vocals with backing tracks. The 100-foot length covers most medium venues, outdoor stages, and situations where your mixing position is well back from the performance area.

Connect the fantail to your mixer's XLR outputs and use the stage box returns for monitor feeds or additional line-level routing. Seismic Audio backs this snake with a one-year warranty and ships it ready to use out of the box.

Technical Specifications

Frequently Asked Questions

How many people can this snake handle for live shows?

The 16-channel capacity works well for venues holding 200-800 people, covering most clubs, theaters, and mid-sized outdoor events. You can run a full band setup with vocals, drums, guitars, bass, and keyboards while still having channels available for guest musicians or backing tracks. The 100-foot length gives you flexibility to position your mixing console well back from the stage in these venues.

What's the difference between the XLR and TRS returns on the stage box?

Both connection types are paralleled, meaning they carry the same signal simultaneously. Use the XLR returns to feed powered monitor speakers or active PA speakers on stage, while the 1/4" TRS returns can feed recording interfaces, headphone distribution systems, or other line-level gear. This dual setup eliminates the need for additional splitters or adapters.

Can I use this snake for recording studio applications?

Yes, this snake works well for live recording setups where you need to capture multiple sources simultaneously. Connect the 16 XLR sends to your audio interface or mixing console, then use the returns to feed headphone mixes back to musicians or route playback to studio monitors. The individual shielding prevents crosstalk between channels during long recording sessions.

How does this compare to digital snake systems?

This analog snake offers immediate plug-and-play operation without requiring power, network configuration, or digital conversion. While digital snakes can carry more channels and offer remote control features, analog snakes like this provide reliable signal transmission without latency, compatibility issues, or the need for backup power supplies during critical performances.

What cables do I need to connect this snake to my mixer?

The snake comes ready to connect directly to any mixing console with XLR inputs and outputs. You'll need XLR cables to connect the fantail sends to your mixer's mic inputs, and additional XLR or 1/4" cables to connect your mixer's aux sends or monitor outputs to the return fantail. Most mixers under 24 channels will connect directly without additional cabling.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov