The SAXQ-16x8x75 delivers professional multi-channel connectivity for bands, venues, and mobile sound providers who need reliable signal routing across larger stages. This 16-send, 8-return snake cable handles complex live sound setups where multiple microphones and instruments need clean paths to your mixing console.

Built with 22-gauge oxygen-free copper conductors and individual shielding on every pair, this snake maintains signal integrity across its full 75-foot length. The dual-connector design gives you XLR returns on the fantail plus parallel 1/4" TRS connections at the stage box, letting you route monitor sends or line signals without adapter cables.

The heavy-duty steel stage box withstands touring abuse while the color-coded, numerically labeled fantail speeds setup in dark venues. At 36 pounds, it's substantial enough for permanent installations yet manageable for mobile rigs. Each connection features quality XLR connectors with strain relief to prevent cable failures mid-show.

This snake works well for concert venues up to 500 capacity, multi-band festivals, or permanent installations in churches and theaters. The 75-foot length bridges most stage-to-booth distances while the 8 return channels handle monitor feeds, effects sends, or additional line inputs back to your console.

Connect the fantail to your mixer's channel inputs and returns, then route microphones and DI boxes to the numbered XLR inputs on the stage box. The parallel TRS jacks let you tap monitor or effects sends without additional cables.

Seismic Audio backs this snake with a one-year warranty and ships it ready for immediate deployment in your sound system.

Technical Specifications

Frequently Asked Questions

What size venues work best with this 75-foot snake cable?

This snake handles venues up to 500 people where you need significant distance between stage and mixing position. The 75-foot length works well for most concert halls, large churches, outdoor festival stages, and theater installations. For smaller club gigs under 200 capacity, you might find a shorter snake more manageable.

Can I use both the XLR and TRS return connections simultaneously?

Yes, the 8 return channels feature parallel XLR and 1/4" TRS connections at the stage box end. This means you can connect a monitor mixer to the TRS jacks while still having the XLR returns available for your main console. Both connections carry the same signal, giving you routing flexibility without signal splitting.

What's the difference between the 16x8 and 16x4 snake configurations?

The 16x8 gives you twice as many return channels compared to a 16x4 snake. This matters if you're running monitor feeds, effects sends, or need to route signals back to the stage from your console. Bands with in-ear monitors or multiple stage amplifiers benefit from the additional return paths.

Do I need any adapters to connect this to my mixing console?

No adapters needed for standard mixing consoles with XLR inputs and outputs. The fantail connects directly to your mixer's channel inputs via the XLR female connectors. The male XLR returns plug into your console's auxiliary or group outputs. The TRS connections use standard 1/4" cables.

How does the individual pair shielding help with signal quality?

Each wire pair gets its own shield, preventing crosstalk between channels even when running multiple high-gain microphone signals through the same cable bundle. This means channel 1 won't pick up bleed from channel 16, maintaining clean separation across all 16 sends. The oxygen-free copper conductors reduce signal loss over the 75-foot run.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov