The SAJLP-16x8x100 delivers professional multitrack connectivity for live sound engineers and studio professionals who need reliable signal routing over long distances. This 100-foot snake cable connects your stage sources directly to your mixing console with minimal signal loss and maximum durability.

Built around circuit board technology in a compact stage box, this snake provides 16 XLR male sends for microphones and instruments, plus 8 TRS returns for monitor feeds or effects loops. The low-profile design reduces stage clutter while maintaining the robust connectivity larger productions demand.

Each of the 16 channels uses individually shielded 25-gauge conductors to reject interference and maintain signal integrity across the full 100-foot run. The steel stage box measures just 10.75" x 5.5" x 2.75", taking up minimal real estate while providing numerically labeled connections. Color-coded fantails at the console end speed up setup and reduce miswiring during load-in.

Perfect for mid-sized venues, outdoor festivals, and studio tracking sessions where the control room sits far from the live room. Works equally well for church sound systems, school auditoriums, and mobile DJ setups that need professional-grade signal routing. Handles everything from intimate acoustic performances to full band productions.

Connect microphones and line sources to the XLR inputs, run TRS cables from the returns to your monitor system or outboard gear. The complete snake cable includes heavy-duty strain relief at both ends and high-quality connectors throughout. Seismic Audio backs this snake with a one-year warranty and ships it ready for immediate deployment.

Technical Specifications

Frequently Asked Questions

What size venues work best with this 100-foot snake cable?

This snake cable works perfectly for mid-sized venues seating 200-500 people, outdoor stages where the mixing position sits at the back of the audience area, and recording studios with separate control rooms. The 100-foot length gives you flexibility for larger setups while the 16 channels handle most band configurations and multiple microphone arrays.

Can I use the TRS returns for monitor feeds?

Yes, the 8 TRS returns are specifically designed for monitor mixes, effects sends, or any balanced line-level signals you need to send back to the stage. Connect these to your monitor amplifiers, in-ear monitor systems, or outboard effects units. The TRS connectors handle both balanced and unbalanced signals.

How does the circuit board technology improve reliability?

The circuit board design eliminates traditional hand-soldered connections inside the stage box, which are common failure points in standard snake cables. This creates more secure connections that resist damage from transportation and heavy use, while the compact design reduces the stage box footprint compared to traditional wired boxes.

What cables do I need to connect this to my mixing console?

You'll need 16 XLR cables to run from the fantail to your console's input channels, plus 8 TRS or XLR cables (depending on your console's aux outputs) to connect the returns. Most engineers already have these cables in their standard kit, but budget for quality cables to maintain the signal integrity this snake provides.

Is this snake cable suitable for permanent installation?

While built for durability, this snake is designed for portable use with heavy-duty strain relief and a steel stage box that handles regular setup and teardown. For permanent installation in churches or venues, consider the routing path and whether the 26-pound weight requires additional support at mounting points.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov