SAJLP-16x8x50 - 16 Channel 50 Foot XLR Low Profile Snake Cable with TRS Returns
Professional snake cables are the backbone of any serious live sound setup, and the SAJLP-16x8x50 delivers 16 XLR sends and 8 TRS returns in a compact, roadworthy package. This 50-foot multicore cable connects your stage sources to the mixing console with minimal stage clutter and maximum signal integrity.
The low-profile circuit board stage box measures just 10.75" x 5.5" x 2.75", reducing your stage footprint while maintaining full connectivity. Each of the 16 XLR inputs feeds individual channels to your mixer, while 8 balanced TRS returns handle monitor feeds, effects sends, or auxiliary outputs back to the stage.
Built with 25-gauge heavy duty conductors and 100% individually shielded pairs, this snake rejects interference and maintains clean signal paths across all channels. The steel stage box features numerical labeling for quick channel identification, while the color-coded fantail simplifies setup at the mixer end. Heavy-duty strain relief protects both connections from the rigors of repeated setup and breakdown.
This configuration works well for bands with 12-16 inputs, small to medium venues up to 500 capacity, and church installations where monitor sends are essential. The 50-foot length provides flexibility for stage positioning while keeping cable runs manageable. Connect your microphones, DI boxes, and instruments to the stage box XLRs, then run monitor or effects feeds through the TRS returns.
The SAJLP-16x8x50 includes the complete snake cable as pictured and ships with Seismic Audio's one-year warranty for dependable performance show after show.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAJLP-16x8x50 |
| Sends | 16 XLR Male Connectors |
| Returns | 8 - 1/4" TRS Connectors |
| Length | 50 Feet |
| Stage Box Dimensions | 10.75" L x 5.5" W x 2.75" D |
| Conductor Gauge | 25 gauge heavy duty |
| Shielding | 100% individually shielded pairs |
| Stage Box Construction | Heavy duty steel |
| Strain Relief | Heavy duty at both ends |
| Weight | 17.1 lbs |
| Warranty | One Year |
| Condition | New |
| Recommended For | Live bands, churches, venues up to 500 people |
Frequently Asked Questions
What's the difference between sends and returns on this snake cable?
The 16 sends are XLR male connectors at the stage box that connect to microphones, DI boxes, and instruments, carrying those signals to your mixer. The 8 returns are TRS connectors that bring audio back from the mixer to the stage, typically used for monitor feeds, effects sends, or click tracks. This gives you full bidirectional audio flow between stage and mixing position.
How many people can this snake cable handle for a live venue?
This 16-channel snake works well for venues up to 500 people, supporting bands with 12-16 input sources plus monitor returns. That covers most rock bands, acoustic acts, and small orchestral groups. If you're regularly mixing acts with more than 16 inputs, consider stepping up to a 24-channel snake for future flexibility.
What cables do I need to complete my setup with this snake?
You'll need standard XLR cables to connect microphones and instruments to the stage box inputs, plus TRS to XLR or TRS to TRS cables for the return connections depending on your monitor setup. The snake itself has all connectors built in - just plug your existing cables into either end of the snake.
Will this snake work with my digital mixer?
Yes, this analog snake works with any mixer that has XLR inputs and TRS outputs, including digital boards. The individual shielding and heavy-duty conductors maintain signal integrity whether you're feeding an analog console or digital mixer with built-in preamps. Just connect the fantail end to your mixer's input channels.
How does the low-profile design compare to traditional snake boxes?
The circuit board technology creates a more compact stage box that takes up less floor space while maintaining the same connectivity. Traditional snake boxes are often bulkier and heavier, making them harder to position on crowded stages. This low-profile design gives you the same channel count in a smaller footprint that's easier to integrate into your stage layout.
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