4 Channel XLR Send Sub Snake - 35'
The SASH-4x35 4-Channel XLR Send Sub Snake delivers clean signal routing for live sound engineers who need reliable connections between stage and mixing console. This 35-foot sub snake handles four channels of professional audio with the durability required for touring acts, house of worship installations, and mobile DJ setups.
Each of the four channels features individually shielded pairs with 22-gauge heavy duty conductors, ensuring your signal stays clean while rejecting interference from stage lighting and power cables. The numerically labeled fantail and stage box eliminate guesswork during setup, getting you ready faster whether you're connecting floor monitors, effects sends, or additional stage inputs.
Built for real-world use with high-quality XLR connectors at both ends and heavy duty strain relief protecting every connection point. The steel stage box includes a carrying handle and stands up to the load-in abuse that destroys lesser cables. At 4.8 pounds, it's substantial enough to stay put on stage without being cumbersome for mobile rigs.
Perfect for expanding your main snake's reach across larger stages, running monitor sends to side-stage racks, or creating dedicated vocal channels that bypass your main mixer's snake inputs. Works well in venues seating 200-500 people where stage width demands longer cable runs.
The sub snake comes ready to use with male XLR outputs on the stage box and female XLR inputs on the fantail. Each channel is clearly numbered for quick identification during sound check.
Seismic Audio backs this sub snake with a one-year warranty and ships it ready for immediate deployment in your live sound rig.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SASH-4x35 |
| Channels | 4 |
| Length | 35 feet |
| Connectors | XLR male (stage box) to XLR female (fantail) |
| Conductors | 22 gauge heavy duty |
| Shielding | 100% individually shielded pairs |
| Stage Box | Heavy duty steel with handle |
| Strain Relief | Heavy duty at both ends |
| Labeling | Numerically labeled fantail and stage box |
| Weight | 4.8 lbs |
| Condition | New |
| Warranty | One year |
| Recommended For | Live sound, monitor sends, stage expansion |
Frequently Asked Questions
What venues work best with a 35-foot sub snake?
This length works well for medium to large venues seating 200-500 people where you need to extend your main snake's reach across wider stages. It's also ideal for outdoor festival setups where the mixing console sits further back from the performance area, or church installations where the sound booth is positioned away from the altar area.
Can I connect this directly to my main snake or mixing console?
Yes, the male XLR outputs on the stage box connect directly to any device with female XLR inputs, including your main snake's stage box, mixing console, or monitor rack. The female XLR inputs on the fantail accept standard male XLR cables from microphones, DI boxes, or other stage sources.
How does individually shielded pairs improve my sound quality?
Each channel runs through its own dedicated shield, preventing crosstalk between channels and blocking interference from stage lighting, power cables, and wireless systems. This means your vocal on channel 1 won't bleed into your guitar signal on channel 2, and nearby electrical noise stays out of your mix entirely.
What's the difference between a sub snake and a main snake?
A main snake typically runs from your mixing console to the stage and includes many more channels (8, 12, 16, or more). A sub snake like this extends your setup by connecting additional sources to your main snake's stage box, or creates dedicated signal paths for specific applications like monitor sends or effects returns.
Will this handle the signal levels from active DI boxes and powered sources?
Yes, the heavy duty 22-gauge conductors and professional XLR connectors handle both mic-level and line-level signals without degradation. The robust construction supports everything from passive microphones to active DI boxes, powered monitor sends, and other professional audio equipment commonly found in live sound applications.
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