SAXLX-2 - Yellow 2 Foot XLR Patch Cable
The SAXLX-2 Yellow XLR patch cable is built for musicians, DJs, sound engineers, churches, recording studios, and mobile entertainers who need reliable balanced connections in their live sound setups. This 2-foot cable handles the short runs between rack-mounted gear, from mixers to EQs, crossovers to amplifiers, or any equipment requiring professional XLR connections.
This patch cable delivers clean, balanced audio signal transmission through its shielded design and oxygen-free copper conductors. The heavy-duty flexible rubber jacket stands up to repeated setup and teardown while maintaining signal integrity through countless connections.
The cable features metal 3-pin XLR connectors (male to female) with solid construction that locks securely into equipment. At 2 feet long, it's sized perfectly for rack connections and close-proximity gear linking without excess cable cluttering your setup. The bright yellow color makes it easy to identify in complex signal chains and low-light environments.
Use this patch cable for connecting outboard processors in your rack, linking mixer sections, or patching effects units in your live sound rig. It works equally well for studio patching, DJ booth connections, or church sound system signal routing. The short length keeps your rack organized while providing the professional balanced connection your gear demands.
The cable connects any XLR output to any XLR input, making it versatile for microphone preamps, direct boxes, and audio interfaces. The female connector attaches to your source output and the male connector attaches to your destination input. Each cable includes Seismic Audio's one-year warranty and ships ready to integrate into your signal chain immediately.
Technical Specifications
| Spec | Value |
|---|---|
| Length | 2 Feet |
| Connectors | 3-Pin XLR Male to XLR Female |
| Color | Yellow |
| Conductor | 22 AWG Oxygen-Free Copper (OFC) |
| Cable Type | Shielded Balanced |
| Jacket | Heavy Duty Flexible Rubber |
| Warranty | 1 Year |
| Quantity | Single Cable |
| Recommended For | Rack patching, mixer connections, signal processing |
Frequently Asked Questions
What equipment can I connect with this XLR patch cable?
This cable connects any gear with XLR inputs and outputs, including mixing consoles, equalizers, crossovers, compressors, reverb units, and amplifiers. It's also suitable for microphone connections and direct boxes that use 3-pin XLR connections.
Why choose a 2-foot length for patch cables?
The 2-foot length is ideal for rack-mounted equipment and close-proximity connections where you want professional balanced audio without excess cable creating clutter. It's long enough to route between adjacent rack units or nearby equipment while keeping your setup clean and organized.
Can I use this cable for DMX lighting applications?
While this cable has the correct 3-pin XLR connectors used by DMX lighting systems, there are important technical considerations. DMX requires 120-ohm impedance cables, while audio XLR cables like this one typically use 75-ohm impedance. This impedance mismatch can cause signal reflection, data errors, and unreliable lighting control, especially over longer cable runs or in complex DMX networks. For critical lighting applications, dedicated DMX cables are recommended. However, this cable may work for simple, short DMX runs in emergency situations, though performance cannot be guaranteed.
How does the yellow color help in live sound setups?
The bright yellow jacket makes this cable easy to identify in complex signal chains, especially in low-light environments or crowded equipment racks. Color coding helps sound engineers quickly trace connections during setup, troubleshooting, or equipment changes.
What's the difference between this and an unbalanced cable?
This XLR cable provides balanced signal transmission, which rejects noise and interference much better than unbalanced connections. The balanced design uses two signal conductors plus a ground, making it essential for professional audio applications where signal quality matters.
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