50 Ft XLR Microphone Cable - Blue
The SAXLX-50Blue delivers reliable balanced audio connections for musicians, DJs, churches, and schools who need dependable signal transmission over longer distances. This 50-foot XLR cable handles professional microphone signals and balanced line-level connections without interference or signal degradation.
Built with 22-gauge oxygen-free copper conductors and comprehensive shielding, this cable maintains signal integrity even in electrically noisy environments like venues with LED lighting or near power amplifiers. The heavy-duty rubber jacket protects against stage wear while remaining flexible enough for repeated setup and teardown.
The cable features metal 3-pin XLR connectors with male and female ends, providing secure connections that won't work loose during performances. Professional-grade shielding rejects RF interference and electromagnetic noise that can plague cheaper cables. The 50-foot length gives you the reach needed for larger stages, outdoor events, and installations where microphones or line sources are positioned far from the mixing console.
Use this cable to connect dynamic or condenser microphones to mixers, run balanced signals between audio processors, or for podcast studios, YouTube production setups, and broadcast applications. Perfect for working musicians and mobile entertainers who need reliable audio connections.
Connect the female connector to your source output and the male connector to your destination input. No additional adapters needed for standard professional audio equipment.
Backed by Seismic Audio's one-year warranty with fast shipping. Professional-grade construction at a price that fits working musicians' budgets.
Technical Specifications
| Spec | Value |
|---|---|
| Length | 50 feet |
| Connector Type | 3-pin XLR male to 3-pin XLR female |
| Conductor | 22-gauge oxygen-free copper (OFC) |
| Jacket | Heavy-duty flexible rubber |
| Shielding | Yes, RF rejection |
| Color | Blue |
| Warranty | One year |
| Recommended For | Microphones, balanced line connections |
Frequently Asked Questions
What's the difference between this 50-foot cable and shorter XLR cables?
The 50-foot length provides extended reach for larger stages and installations where microphones or audio sources are positioned far from the mixing console. Shorter cables work fine for small stages, but this length is essential for outdoor events, large churches, and situations where the sound booth is located away from performers. The longer length doesn't affect audio quality thanks to the oxygen-free copper conductors and proper shielding.
Can I use this cable for both microphones and line-level signals?
Yes, this XLR cable handles both microphone-level and line-level balanced signals. Use it to connect dynamic or condenser microphones to mixers, or to run balanced connections between audio processors like equalizers, compressors, and crossovers. It's also perfect for podcast setups, recording studios, and broadcast applications.
Can I use this cable for DMX lighting applications?
While this cable will physically connect to DMX equipment, it's not recommended for lighting applications. Audio XLR cables are designed for 75-ohm impedance, while DMX lighting requires 120-ohm impedance. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control. For best results with DMX lighting, use cables specifically designed for DMX512 applications.
Will this cable work with my wireless microphone receiver?
Yes, if your wireless receiver has XLR output connections. Most professional wireless systems use XLR outputs that connect directly to this cable. The balanced design and shielding help reject interference that can affect wireless systems, maintaining clean signal transmission from receiver to mixer.
Does the blue color serve any practical purpose besides identification?
The blue color helps with cable management and organization, especially when running multiple audio lines. Many sound engineers use different colored cables to identify specific signal paths - blue might designate vocal microphones while other colors handle instruments or monitors. The color is also useful for inventory tracking and prevents mixing cables with other equipment.
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