SAXLX-6 - 6 Pack of Red 6 Foot XLR Patch Cables
Professional XLR patch cables designed for live sound engineers, studio technicians, and mobile performers who need reliable balanced connections in their signal chain. This 6-pack of red XLR cables provides consistent patching solutions for FOH consoles, monitor systems, and rack-mounted processors.
Each 6-foot cable features male and female 3-pin XLR connectors with solid metal construction and secure locking mechanisms. The balanced design maintains signal integrity across mixing consoles, equalizers, crossovers, and amplifiers in professional audio systems. The female connector attaches to your source output and the male connector attaches to your destination input.
Built with 22-gauge oxygen-free copper conductors and comprehensive shielding for clean signal transmission. The heavy-duty rubber jacket withstands repeated coiling, transportation, and stage setup without compromising performance. Six-foot length provides flexible routing options in most rack configurations and stage setups.
Essential for patching between console outputs and system processors, connecting monitor sends to amplifiers, or linking outboard gear in recording studios. Works equally well for microphone runs or as spare cables for touring rigs. The red color coding helps with quick identification during live events and studio sessions.
Standard XLR connections work with all professional audio equipment using balanced 3-pin XLR inputs and outputs. Six cables included provide complete patching solutions for most sound systems.
Perfect for musicians, DJs, churches, schools, recording studios, and mobile entertainers.
Seismic Audio backs these cables with a one-year warranty and ships them ready for immediate deployment in your audio system.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAXLX-6Red6 |
| Quantity | 6 Pack |
| Color | Red |
| Length | 6 feet each |
| Connector Type | 3-pin XLR male to female |
| Conductor Material | 22-gauge oxygen-free copper |
| Cable Type | Balanced, shielded |
| Jacket Material | Heavy-duty flexible rubber |
| Applications | Microphone and line level connections |
| Warranty | 1 year |
| Recommended For | Professional audio patching and microphone connections |
Frequently Asked Questions
What equipment can I connect with these XLR patch cables?
These balanced XLR cables connect any professional audio gear with 3-pin XLR inputs and outputs, including mixing consoles, equalizers, crossovers, amplifiers, and outboard processors. They work for both microphone-level and line-level signals.
Are 6-foot XLR cables long enough for rack patching?
Six feet provides sufficient length for most rack-to-rack connections and console patching in typical setups. This length works well for connecting outboard gear, patching between mixer sections, or short microphone runs. For longer distances between stage and FOH positions, you'll need longer cables.
Can I use these for both microphone and line-level connections?
Yes, these balanced XLR cables handle both microphone-level signals from mics and line-level signals between professional audio equipment. The same cable works for connecting microphones to mixers or patching line-level signals between processors and amplifiers.
How does the red color help in live sound applications?
Red cables provide visual identification for specific signal paths, making it easier to trace connections during setup and troubleshooting. Many engineers use color coding to separate different signal types or zones, such as monitor sends, effects returns, or emergency backup connections.
What's included in this 6-pack and do I need additional accessories?
You receive six complete 6-foot XLR patch cables with male and female connectors. No additional adapters or accessories needed – these connect directly to standard XLR equipment. The pack provides enough cables for patching most sound systems or studio setups.
Can these cables be used for DMX lighting control?
While these XLR cables will physically connect to DMX equipment, they're not recommended for DMX applications. Standard audio XLR cables like these have 75-ohm impedance, while DMX requires 120-ohm impedance for proper signal transmission. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control. For DMX applications, use dedicated DMX cables with proper 120-ohm impedance and AES/EBU-rated construction.
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