SAXLX-3 - White 3 Foot XLR Patch Cable
The SAXLX-3 White XLR patch cable delivers reliable balanced audio connections for musicians, DJs, churches, sound engineers, recording studios, and mobile entertainers who need short-run connectivity between rack equipment. This 3-foot white cable provides the exact length needed for clean signal routing in equipment racks without excess cable clutter.
Built with male-to-female 3-pin XLR connectors, this patch cable handles balanced line-level signals between mixers, equalizers, crossovers, and amplifiers. The female connector attaches to your source output and the male connector attaches to your destination input. The shielded design maintains signal integrity across the short run, while the heavy-duty rubber jacket protects against wear in high-traffic rack environments.
The 22-gauge oxygen-free copper conductors ensure consistent signal transfer, and the white color coding helps with visual organization in complex setups. At 3 feet, this cable length works perfectly for connecting adjacent rack units or patching between nearby console sections without creating cable management issues.
Use this patch cable for connecting outboard processors to mixing consoles, linking crossover outputs to amplifier inputs, or patching between effects units in your rack. The white jacket makes it ideal for installations where cable visibility matters, such as church sound systems or corporate AV setups where clean aesthetics are important.
The cable comes ready to use with professional XLR connectors that lock securely into equipment. Seismic Audio backs this patch cable with a one-year warranty and ships fast to keep your live sound or studio project moving forward.
Technical Specifications
| Spec | Value |
|---|---|
| Model Number | SAXLX-3White |
| Length | 3 Feet |
| Connectors | 3-Pin XLR Male to Female |
| Conductor | 22-gauge Oxygen-Free Copper |
| Jacket | Heavy Duty Flexible Rubber |
| Color | White |
| Shielding | Yes |
| Warranty | 1 Year |
| Recommended For | Rack equipment patching, console connections |
Frequently Asked Questions
What equipment can I connect with this XLR patch cable?
This cable connects any gear with balanced XLR inputs and outputs, including mixing consoles, equalizers, crossovers, compressors, and amplifiers. You can also use it as a microphone extension cable. The male-to-female configuration makes it perfect for patching between rack-mounted processors.
Is 3 feet long enough for typical rack connections?
Yes, 3 feet provides the ideal length for most rack equipment connections without creating cable management problems. This length works well for connecting adjacent rack units, patching between console sections, or linking nearby processors. Longer cables in tight spaces create unnecessary clutter and potential signal issues.
Can I use this cable for microphones and live performance?
Absolutely. While designed as a patch cable, this XLR cable works perfectly for microphone connections, instrument DI boxes, and other balanced audio signals. The shielded design and professional connectors make it suitable for both studio and live sound applications where you need a shorter cable run.
Will this cable work with my church sound system setup?
Yes, this white XLR cable is ideal for church installations where visual aesthetics matter. Use it to connect your mixing console to outboard processors, link crossover outputs to amplifiers, or patch between effects units. The white color blends well with most church equipment racks and cable management systems.
How does the signal quality compare to longer XLR cables?
At 3 feet, this cable maintains excellent signal integrity with minimal capacitance and resistance. The 22-gauge oxygen-free copper conductors and proper shielding ensure clean signal transfer. Shorter cables like this actually provide slightly better signal performance than longer runs, making them ideal for critical rack connections.
Can I use this XLR cable for DMX lighting applications?
While this cable will physically connect to DMX fixtures, it's not recommended for DMX applications. Audio XLR cables like this have 75-ohm impedance, while DMX requires 120-ohm impedance for proper signal transmission. Using audio cables for DMX can cause signal reflections, data errors, and intermittent lighting control issues. For reliable DMX performance, use cables specifically designed for digital lighting protocols.
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