The SAEM-12x4x100 is built for live sound engineers and bands who need reliable multi-channel connections between stage and mixing position. This professional-grade snake cable handles the signal routing backbone for medium to large live sound setups.

This 100-foot snake delivers 12 XLR male sends from the stage box to your inputs, plus 4 XLR female returns for monitor feeds or effects sends. The heavy-duty steel stage box features numerical labeling and writable surfaces above each channel for easy identification during setup and shows.

Each of the 16 channels uses individually shielded 22-gauge conductors to prevent crosstalk and reject electromagnetic interference. The fantail end is both color-coded and numerically labeled for quick connections at your mixing console. High-quality XLR connectors and heavy-duty strain relief at both connection points ensure reliable performance under the stress of regular load-ins and teardowns.

Perfect for venues accommodating 200-500 people, touring bands, churches with stage-to-booth distances, and rental companies servicing multiple acts per weekend. The 40-pound weight and steel construction make this suitable for permanent installations or mobile rigs that see frequent transport.

Connect the stage box near your microphones and instruments, then run the fantail to your mixing console's XLR inputs and aux sends. Everything needed for immediate deployment comes in the box.

Backed by Seismic Audio's one-year warranty with fast shipping nationwide. Professional-grade construction at a price point that works for working musicians.

Technical Specifications

Frequently Asked Questions

What venue sizes work best with this 100-foot snake cable?

This snake works well for venues accommodating 200-500 people where the mixing console sits 75-90 feet from the stage. The 100-foot length provides enough cable for most club stages, church sanctuaries, and outdoor festival setups while leaving slack for proper cable management and avoiding tension on connections.

Can I connect this directly to any mixing console?

Yes, the XLR male connectors plug directly into standard mixing console mic inputs without adapters. The 4 XLR female returns connect to your console's aux sends or monitor outputs. This snake works with analog and digital consoles from all major manufacturers including Yamaha, Allen & Heath, Behringer, and Mackie.

How does the 12x4 configuration compare to an 8x4 snake?

The 12x4 gives you 50% more input channels than an 8x4, making it better suited for full bands with drums, multiple guitars, bass, keyboards, and several vocal mics. The 4 returns remain the same, providing monitor sends and effects returns. Choose 8x4 for smaller acts, 12x4 for full bands, or 16x4 for larger productions.

What's the difference between individually shielded pairs and standard snake construction?

Each channel pair has its own shield wrap, preventing signal bleed between channels and rejecting radio frequency interference. Standard snakes often use one overall shield, which can allow crosstalk between channels during high-gain situations. Individual shielding maintains signal integrity even when running long distances or near power cables.

Does the stage box require any power or setup?

No, this is a completely passive snake requiring no power source. Simply connect your microphones and instruments to the stage box XLR inputs, then plug the fantail connectors into your mixing console. The steel construction and numerical labeling make setup quick even in low-light conditions.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov