SAXT-16x15F - 16 Channel 15' TRS to XLR Female Cable Snake
The SAXT-16x15F delivers professional multi-channel connectivity for bands, recording studios, and live sound engineers who need reliable signal routing between mixing consoles and stage equipment. This 16-channel snake handles the critical task of running multiple audio signals over a single cable run, eliminating cable clutter and signal degradation.
Each channel features a 1/4" TRS male connector on one end and XLR female on the other, allowing you to connect mixer outputs directly to microphone preamps, DI boxes, or powered speakers. The 15-foot length provides enough reach for most stage setups without excess cable management, while color-coded channels ensure quick, error-free connections during setup and teardown.
Built with 22-gauge oxygen-free copper conductors, this snake maintains signal integrity across all 16 channels simultaneously. The shielded, balanced design provides superior RF rejection, preventing interference from wireless systems, cell phones, and other electronic equipment. Each channel operates independently, so a problem with one connection won't affect the other 15.
Recording studios use this snake to route signals between control rooms and live rooms, while live bands rely on it for connecting stage boxes to front-of-house mixers. The compact fanout design works well in tight spaces where traditional snake boxes won't fit. DJs and mobile performers appreciate the quick setup and breakdown for corporate events, wedding receptions, and club gigs.
Connect TRS ends to your mixer's direct outputs or auxiliary sends, then run XLR ends to your stage equipment. The snake arrives ready to use with no additional cables required.
Seismic Audio backs this snake with a one-year warranty and ships from our warehouse within one business day.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAXT-16x15F |
| Channels | 16 |
| Length | 15 feet |
| TRS Connector | 1/4" Male (16 channels) |
| XLR Connector | Female (16 channels) |
| Conductor | 22-gauge Oxygen-Free Copper |
| Shielding | Yes, balanced design |
| Color Coding | Yes |
| Warranty | One year |
| Recommended For | Recording studios, live sound, band setups |
Frequently Asked Questions
What's the difference between TRS and TS connectors for snake cables?
TRS (tip-ring-sleeve) connectors carry balanced signals, which provide better noise rejection and longer cable runs without signal degradation. TS connectors are unbalanced and more susceptible to interference. For professional multi-channel applications, TRS balanced connections are essential for maintaining clean audio across all 16 channels.
Can I use this snake to connect my mixer to powered speakers?
Yes, if your powered speakers have XLR inputs and your mixer has 1/4" TRS outputs. Connect the TRS ends to your mixer's main outputs, direct outputs, or auxiliary sends, then connect the XLR ends to your powered speakers' inputs. This works well for splitting signals to multiple speakers or routing different mixes to stage monitors.
How many band members can this 16-channel snake support?
A 16-channel snake typically handles a full 5-6 piece band setup including drums (4-6 channels), bass (1-2 channels), guitars (2-4 channels), keyboards (2 channels), and vocals (2-4 channels). For larger ensembles or complex setups requiring more than 16 simultaneous channels, consider upgrading to a 24 or 32-channel snake.
Will this snake work with my audio interface for home recording?
Yes, if your audio interface has 1/4" TRS outputs and you need to route signals to external preamps or processors with XLR inputs. This setup is common in larger home studios where the interface connects to outboard gear before returning to monitors. Check that your interface outputs are TRS balanced rather than TS unbalanced.
What's the maximum distance I can run audio signals with this snake?
At 15 feet, this snake operates well within optimal signal transmission ranges for balanced audio. The oxygen-free copper conductors and balanced design maintain signal integrity across the full length. For longer runs, consider that balanced XLR connections can typically handle 100+ feet without noticeable signal loss, but your specific setup and gain staging will determine practical limits.
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