The SARLX-16x10 delivers 16 channels of balanced XLR connectivity in a compact 10-foot snake cable, perfect for small venues, recording studios, and mobile setups where shorter cable runs keep stages organized. Whether you're running a coffee shop gig, rehearsal room, or small church sound system, this snake cable handles multiple microphones and instruments without the bulk of longer alternatives.

Each channel features professional XLR connectors (female to male) that maintain balanced audio signals from stage to mixer. The 22 AWG copper conductors and individual shielding on every channel prevent interference and signal degradation, ensuring clean audio transfer across all 16 channels simultaneously. Numbered and color-coded identification makes setup fast and eliminates guesswork during live performances.

This snake cable works well for acoustic duos, small bands, podcast recording setups, and venues up to 150 people where the mixing console sits close to the stage. Connect microphones, direct boxes, and instruments on one end, then run a single cable to your mixer or audio interface. The 10-foot length reduces stage clutter while providing enough reach for most compact PA systems and recording configurations.

Standard XLR connections mean this snake works with any microphone, mixer, or audio interface using XLR inputs and outputs. The cable arrives ready to use with no additional adapters required. Seismic Audio backs this snake cable with a one-year manufacturer warranty and ships it fast to get your system connected and running.

Technical Specifications

Frequently Asked Questions

What size venue works best with a 10-foot snake cable?

This 10-foot snake cable works well for venues up to 150 people where the mixing console sits close to the stage area. It's ideal for coffee shops, small churches, rehearsal rooms, recording studios, and intimate live music venues. If your mixer is more than 8-9 feet from the stage, consider the 15-foot or 25-foot versions for better cable management.

Can I connect this snake cable directly to my audio interface for recording?

Yes, this snake cable works with any audio interface that has XLR inputs. Connect microphones and instruments to the female XLR ends, then plug the male XLR ends into your interface's mic inputs. This setup works well for recording drums, live bands, or podcast setups that need multiple simultaneous microphone channels.

Do I need phantom power for this snake cable?

The snake cable itself doesn't require phantom power, but it passes phantom power through each channel from your mixer or interface to condenser microphones. If you're using condenser mics that need phantom power, make sure your mixer or audio interface can supply +48V phantom power on the channels you're using.

How does this compare to using individual XLR cables?

A 16-channel snake cable replaces 16 individual XLR cables, reducing stage clutter and setup time significantly. Instead of running 16 separate cables from stage to mixer, you run one organized snake cable with color-coded and numbered channels. This makes load-in faster and prevents the cable mess that happens with multiple individual cables.

What's the difference between the 10-foot and longer snake cables?

The only difference is cable length - all versions use the same 22 AWG copper conductors, XLR connectors, and channel configuration. Choose the 10-foot version for compact setups where your mixer sits close to the stage. Use longer versions (25-foot, 50-foot, or 100-foot) when your mixing position is further from the performance area.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov