SATSS-24x1530 - 24 Channel Send XLR Splitter Snake Cable - 15 foot trunk and 30 foot trunk
The SATSS-24x1530 splitter snake handles the complex routing demands of live sound engineers and FOH technicians running multiple mixing consoles or recording setups. This dual-trunk configuration lets you feed the same 24-channel signal to two different destinations simultaneously.
Built around a heavy-duty steel stage box, this snake splits each of your 24 input channels into two identical outputs through hardwired Y connections. The 15-foot and 30-foot trunks give you the flexibility to reach both a front-of-house console and a monitor desk, or connect to recording interfaces at different distances from the stage.
Each of the 24 channels uses 22-gauge conductors with individual shielding to maintain signal integrity across both splits. High-quality XLR connectors provide reliable connections, while heavy-duty strain reliefs protect the cable at stress points. The stage box features female XLR inputs, and both fantails terminate in male XLR connectors, clearly labeled and color-coded for fast setup.
Perfect for live venues running separate FOH and monitor consoles, recording studios capturing live performances to multiple devices, or churches streaming services while mixing for the sanctuary. The dual-trunk design works well in venues up to 500 people where you need signal distribution without the complexity of active splitters.
Setup connects directly between your microphones and mixing consoles - no additional power or cables required. The 28-pound steel construction handles the rigors of touring and permanent installations.
Seismic Audio backs this splitter snake with a one-year warranty and fast shipping to get your multi-console setup running reliably.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SATSS-24x1530 |
| Channels | 24 |
| Configuration | Send only (no returns) |
| Trunk Lengths | 15 feet and 30 feet |
| Conductor Gauge | 22 AWG |
| Shielding | Individually shielded pairs |
| Stage Box Connectors | Female XLR |
| Fantail Connectors | Male XLR |
| Stage Box Material | Heavy duty steel |
| Weight | 28 lbs |
| Strain Relief | Heavy duty at both ends |
| Labeling | Stage box and fantails clearly labeled |
| Connector Type | High quality XLR |
| Split Type | Hardwired Y splits |
| Warranty | One year |
| Recommended For | Multi-console live sound, recording splits, church streaming |
Frequently Asked Questions
What's the difference between the 15-foot and 30-foot trunks on this splitter?
Both trunks carry identical signals from the same stage box inputs, giving you flexibility to reach mixing consoles at different distances. The 15-foot trunk typically connects to a nearby monitor console or recording interface, while the 30-foot trunk reaches a front-of-house position or streaming setup further from the stage.
Can I use this splitter snake for recording while running live sound?
Yes, this is one of the most common applications. Connect your microphones to the stage box, then run one trunk to your live mixing console and the other to your recording interface or digital mixer. Both destinations receive identical signals without any signal loss or interference between outputs.
How many people can this snake handle for live events?
The 24-channel capacity works well for venues up to 500 people, supporting full band setups with 16-20 input channels plus room for additional microphones, DI boxes, or playback sources. The dual-trunk design is particularly valuable in larger venues where you're running separate FOH and monitor consoles.
Do I need any additional equipment to use this splitter snake?
No additional power or electronics required - this is a passive hardwired splitter. Simply connect your microphones and instruments to the female XLR inputs on the steel stage box, then connect the male XLR outputs from each trunk to your mixing consoles or recording devices.
Will this splitter work with both dynamic and condenser microphones?
Yes, but only for dynamic microphones and line-level sources. Since this is a passive splitter, it cannot provide phantom power to condenser microphones. If you need to split signals from condenser mics, you'll need phantom power from your mixing console and should consider an active splitter instead.
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