SAEM-32x8x150 - 32 Channel XLR Color Coded Snake Cable - 150 Feet
The SAEM-32x8x150 is built for serious live sound applications where you need to run 32 input channels from stage to your mixing console across 150 feet. This heavy-duty snake handles everything from large band setups to corporate events requiring multiple microphones, instruments, and monitor feeds.
This multicore cable delivers clean signal transmission through 32 XLR male sends and 8 XLR female returns, connecting your stage sources directly to professional mixing consoles and power amplifiers. The individually shielded pairs prevent crosstalk and interference, maintaining signal integrity across the full 150-foot run.
Each conductor uses 22-gauge wire for reliable signal transfer, while the steel stage box provides durability for mobile applications. The fantail end features color-coded and numbered XLR connectors for quick identification during setup and teardown. The stage box includes numerical labeling plus white surfaces above each channel for custom labeling with your preferred channel names.
This configuration works well for venues seating 500-1,000 people, large outdoor festivals, or permanent installations in theaters and houses of worship. The 32-send capacity handles full band setups including drums, guitars, bass, keyboards, and multiple vocal microphones, while the 8 returns support monitor mixes or effects sends.
The snake connects directly to XLR inputs on your mixing console and stage box, with no adapters required. Heavy-duty strain relief protects connections at both ends.
Seismic Audio backs this snake with a one-year warranty and ships ready for immediate deployment in your live sound rig.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAEM-32x8x150 |
| Sends | 32 XLR Male Connectors |
| Returns | 8 XLR Female Connectors |
| Length | 150 Feet |
| Weight | 100 lbs |
| Conductor Gauge | 22 AWG |
| Shielding | 100% Individually Shielded Pairs |
| Stage Box | Heavy Duty Steel with Handle |
| Fantail | Color Coded and Numerically Labeled |
| Stage Box Labeling | Numerical with White Label Surface |
| Strain Relief | Heavy Duty at Both Ends |
| Warranty | One Year |
| Recommended For | Large venues, festivals, permanent church installs |
Frequently Asked Questions
How many people can this snake handle for live sound?
This 32-channel snake works well for venues with 500-1,000 people, supporting large band configurations or corporate events with multiple presenters and audio sources. The 32 sends can accommodate a full drum kit (8+ mics), multiple guitars and bass, keyboards, and 10+ vocal microphones, while the 8 returns handle monitor feeds or effects loops.
What mixing console inputs does this connect to?
The snake connects directly to XLR inputs on professional mixing consoles without any adapters. The 32 male XLR connectors on the fantail plug into your console's mic inputs, while the 8 female XLR returns on the stage box connect to your console's auxiliary outputs or monitor sends for stage monitoring systems.
Is 150 feet long enough for large outdoor events?
Yes, 150 feet provides sufficient reach for most outdoor festival stages and large indoor venues. This length allows you to position your mixing console well into the audience area for proper sound perspective while maintaining clean signal transmission. The individually shielded pairs prevent signal degradation over the full cable run.
How durable is this snake for touring and mobile use?
The steel stage box with integrated handle and heavy-duty strain relief at both ends make this snake road-ready for mobile applications. At 100 pounds, it requires proper lifting technique, but the robust construction withstands repeated setup and teardown cycles. The color-coded fantail and numerical labeling speed up load-in and load-out.
Do I need this many channels for a typical band setup?
A 32-channel snake supports larger productions beyond typical 4-5 piece bands. Consider this capacity if you're running 12+ microphones on drums, multiple guitar amps, keyboards with stereo outputs, background vocals, or if you frequently host events with guest musicians or multiple acts sharing the same cable run.
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