SAEM-32x8x200 - 32 Channel XLR Color Coded Snake Cable - 200 Feet
The SAEM-32x8x200 is built for live sound engineers, touring bands, and venues that need reliable multichannel audio transport over long distances. This 32-channel snake cable with 8 XLR returns handles the critical connection between your stage inputs and mixing console up to 200 feet away.
The heavy-duty steel stage box consolidates 32 XLR male inputs at the stage end, routing them through individually shielded pairs to prevent interference and crosstalk. Eight XLR female returns in the stage box let you send monitor mixes, effects returns, or power amplifier feeds back to the stage without running separate cables.
Each of the 32 channels uses 22-gauge conductors with individual shielding for noise rejection. High-quality XLR connectors at both ends provide secure, professional connections that won't fail mid-show. The fantail end features both numerical labels and color coding for quick channel identification during setup. Heavy-duty strain relief at both connection points prevents cable damage from repeated use.
This configuration works well for mid-to-large venues, festival stages, and permanent installations where you need to position your mixing console far from the stage. The 200-foot length covers most venue layouts while the 8 returns handle essential stage monitoring without additional cable runs.
The stage box includes a carrying handle for transport, and both the fantail and stage box are clearly labeled for fast setup. Ships with one-year warranty and weighs 121.3 pounds for the complete assembly.
Technical Specifications
| Spec | Value |
|---|---|
| Model | SAEM-32x8x200 |
| Channels | 32 XLR Male Inputs |
| Returns | 8 XLR Female |
| Length | 200 Feet |
| Weight | 121.3 lbs |
| Conductor Gauge | 22 AWG |
| Shielding | 100% Individually Shielded Pairs |
| Stage Box Material | Heavy Duty Steel |
| Strain Relief | Heavy Duty at Both Ends |
| Labeling | Numerical and Color Coded |
| Warranty | One Year |
| Recommended For | Mid-to-large venues, touring, permanent installations |
Frequently Asked Questions
What venues work best with a 200-foot snake cable?
This length handles most mid-to-large venues including theaters, churches, outdoor festival stages, and convention centers where you need to position your mixing console in the audience area. The 200-foot reach covers front-of-house positions up to about 180 feet from stage, leaving room for cable management and avoiding tight pulls that stress connectors.
How many returns do I actually need for most live shows?
The 8 XLR returns handle the essentials: typically 4-6 monitor sends for different stage positions, plus 1-2 returns for effects or additional power amplifier feeds. For most bands and speaking events, 8 returns cover your monitor mixing needs without running separate cables back to the stage.
Will this work with my digital mixing console?
Yes, this snake works with any mixing console that has XLR inputs, whether analog or digital. The XLR connectors are industry standard, so you'll connect directly to most professional mixing boards, stage boxes, or audio interfaces without adapters.
What's the difference between individual shielding and overall shielding?
Individual shielding means each of the 32 audio pairs has its own shield, preventing crosstalk between channels even when running high signal levels. This gives you cleaner audio than cables with just an overall shield, especially important when mixing channels with different gain levels or when some channels carry phantom power.
Do I need additional cables to use this snake?
The snake includes XLR connectors at both ends, so you'll only need standard XLR cables to connect from your microphones and DI boxes to the stage box inputs, and from the fantail to your mixing console. No adapters or special cables required for basic operation.
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