The SAJT-24x4x50 is built for live sound engineers, bands, and venues that need reliable multi-channel signal routing without the hassle of running individual cables. This 50-foot snake handles 24 input channels plus 4 monitor returns, making it the backbone of professional live sound setups.

The heavy-duty steel stage box consolidates all your connections at the mixing position, while the color-coded fantail spreads out cleanly on stage. Each of the 24 XLR sends connects microphones, DI boxes, and instruments to your mixer, while the 4 TRS return jacks route monitor mixes back to stage wedges or in-ear systems.

At 50 feet long, this snake works perfectly for medium-sized venues, outdoor festivals, and church installations where the mixing console sits in the middle or back of the room. The 22-gauge oxygen-free copper conductors with individual shielding ensure clean signal transmission even in electrically noisy environments. Both the stage box and fantail feature clear numerical labeling, so setup and teardown stay organized even in low-light conditions.

Whether you're running a 16-piece band, managing multiple wireless microphone systems, or handling corporate events with complex AV needs, this snake eliminates cable clutter and potential ground loop issues. The rugged construction includes heavy-duty strain relief at both ends and a steel stage box designed to survive regular transport.

Every SAJT-24x4x50 ships ready to use with Seismic Audio's one-year warranty and fast shipping to get your rig up and running.

Technical Specifications

Frequently Asked Questions

What size venues work best with a 50-foot snake cable?

This 50-foot length is ideal for medium-sized venues like clubs, theaters, small outdoor festivals, and churches where the mixing console is positioned 30-40 feet from the stage. It provides enough length for proper cable management without excess coiling that can cause signal issues or create trip hazards.

Do the return channels work with both monitor speakers and in-ear systems?

Yes, the four TRS return jacks provide balanced connections that work with powered monitor wedges, personal monitor systems, and wireless in-ear transmitters. The balanced TRS connections help eliminate ground loops and noise that can occur with long cable runs in live sound environments.

How does this compare to running individual XLR cables?

A snake cable eliminates the need for 24 separate XLR runs plus return cables, reducing setup time, cable management headaches, and potential signal issues. The individual shielding on each pair prevents crosstalk between channels, while the single-run design reduces the chance of forgetting or losing individual cables during load-out.

What equipment connects to each end of this snake?

The stage box end connects to your mixing console's XLR inputs and TRS auxiliary outputs, while the fantail end connects to microphones, DI boxes, instruments, and monitor speakers on stage. Most digital and analog mixing consoles have the appropriate XLR and TRS connections built-in.

Can this snake handle phantom power for condenser microphones?

Yes, the XLR connections are wired to pass phantom power from your mixing console to condenser microphones and active DI boxes. The individual shielding and OFC conductors maintain clean phantom power delivery even over the full 50-foot length without voltage drop issues.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov