SAXLX-6 - Red 6 Foot XLR Patch Cable

$11.99 $17.99

SAXLX-6 - Red 6 Foot XLR Patch Cable

$11.99 $17.99

The SAXLX-6 Red 6-foot XLR patch cable delivers reliable balanced audio connections for musicians, DJs, sound engineers, churches, recording studios, and content creators who need dependable signal routing between professional audio gear. This shielded cable maintains clean audio transmission across your entire signal chain.

Built with 22-gauge oxygen-free copper conductors and heavy-duty rubber jacketing, this cable handles the demands of regular setup and teardown while protecting your audio signals from interference. The flexible construction resists kinking and tangling during transport and setup.

At 6 feet long, this XLR cable provides the perfect length for patch bay connections, connecting mixers to equalizers, linking crossovers to amplifiers, or routing signals between rack-mounted processors. The metal 3-pin XLR connectors (male to female) lock securely and maintain consistent contact even after hundreds of connections. The female connector attaches to your source output and the male connector attaches to your destination input.

Use this cable for connecting balanced audio equipment in recording studios, live sound rigs, or permanent installations. The 6-foot length works well for equipment rack patching, connecting nearby stage boxes, or linking mixer outputs to amplifier inputs without excess cable clutter.

The cable features standard 3-pin XLR connectors that work with any professional mixer, amplifier, equalizer, crossover, or microphone preamp with XLR connections.

Seismic Audio backs this patch cable with a one-year warranty and ships it ready to use straight from the package.

Technical Specifications

Spec Value
Length 6 Feet
Connector Type 3-Pin XLR Male to Female
Conductor 22-Gauge Oxygen-Free Copper
Jacket Heavy Duty Flexible Rubber
Shielding Yes
Color Red
Warranty 1 Year
Recommended For Balanced audio patching, studio connections

Frequently Asked Questions

What equipment can I connect with this XLR patch cable?

This cable connects any professional audio equipment with XLR inputs and outputs, including mixers, equalizers, crossovers, amplifiers, microphone preamps, and audio processors. It maintains balanced audio signals between rack-mounted gear or standalone units.

Is 6 feet the right length for equipment rack connections?

Yes, 6 feet provides optimal length for most equipment rack patching without excess cable clutter. This length works well for connecting adjacent rack units, linking mixer outputs to amplifier inputs, or connecting patch bays to nearby equipment. For longer runs between racks or across stages, consider our 10-foot or 25-foot XLR cables.

Will this cable work for both studio and live sound applications?

Absolutely. The heavy-duty rubber jacket and oxygen-free copper conductors handle both permanent studio installations and regular live sound setup and teardown. The shielding protects against interference in both environments, while the flexible construction resists damage from repeated coiling and transport.

Can I use this cable for microphones instead of line-level equipment?

Yes, this XLR cable works perfectly for dynamic and condenser microphones. The balanced design and proper shielding ensure clean microphone signal transmission from stage to mixer. The 6-foot length suits most microphone applications, though vocalists might prefer longer cables for stage movement.

How does the red color help in live sound setups?

The red jacket provides visual organization in complex cable runs, making it easy to identify specific signal paths during setup and troubleshooting. Many engineers use color-coding systems where red indicates specific channels, monitor feeds, or equipment connections, reducing setup time and preventing connection errors during shows.

Can I use this cable for DMX lighting applications?

While this XLR cable has the correct 3-pin XLR connectors that physically fit DMX equipment, it's not recommended for DMX applications. Audio XLR cables typically have 75-ohm impedance while DMX requires 120-ohm impedance for proper signal transmission. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control. For best results with DMX lighting, use cables specifically designed for DMX512 protocol.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov
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