SAXLX-10 - 6 Pack of Black 10 Foot XLR Patch Cables
The SAXLX-10 6-pack delivers balanced XLR patch cables for musicians, DJs, sound engineers, churches, recording studios, and broadcasters. Each 10-foot cable features male and female 3-pin XLR connectors, making them equally suitable for patching rack gear or extending microphone runs.
These balanced cables maintain clean signal transfer through 22-gauge oxygen-free copper conductors wrapped in heavy-duty flexible rubber jackets. The shielded design prevents interference in professional live sound environments where multiple audio signals run in close proximity.
At 10 feet per cable, this length works well for connecting rack-mounted processors, patching between stage boxes and mixing consoles, or linking amplifiers to crossovers in PA systems. The black finish keeps cable runs looking clean and professional in visible installations.
Use these XLR patches for connecting EQs to crossovers, linking stereo amplifiers, extending microphone cables, or routing signals between digital mixers and outboard processors. The female connects to your source output and the male connects to your destination input. The 6-pack format provides enough cables to handle most patching needs for live sound rigs or permanent installations.
Each cable terminates with metal 3-pin XLR connectors (male to female) that lock securely into professional audio equipment. Seismic Audio backs these patch cables with a one-year warranty and ships them ready to use out of the box.
Technical Specifications
| Spec | Value |
|---|---|
| Length | 10 feet each |
| Quantity | 6 Pack |
| Connector Type | 3-Pin XLR Male to Female |
| Conductor Material | 22-gauge Oxygen-Free Copper |
| Cable Jacket | Heavy Duty Flexible Rubber |
| Shielding | Yes |
| Color | Black |
| Warranty | One Year |
| Recommended For | XLR patching, microphone extension |
Frequently Asked Questions
What audio equipment can I connect with these XLR patch cables?
These balanced XLR cables connect mixers to amplifiers, crossovers to speakers, EQs to other processors, and any professional audio gear with 3-pin XLR inputs and outputs. They also work for extending microphone cables in recording studios, live sound setups, and broadcast applications.
Are these cables suitable for live performance environments?
Yes, the heavy-duty rubber jacket and shielded design handle the demands of live sound applications. The 22-gauge oxygen-free copper conductors maintain signal integrity even in environments with multiple audio sources and potential interference from lighting or power systems.
How long should my XLR patch cables be for rack equipment?
10-foot XLR cables work well for most rack patching needs, giving you flexibility to connect equipment in different rack positions without excess cable length cluttering your setup. For tighter rack configurations, shorter cables may be preferable, while longer runs between separate rack cases need longer cables.
Can I use these for both microphone and line-level signals?
These XLR cables handle both microphone-level and line-level balanced signals equally well. The same cable that connects a dynamic microphone to a mixer input can also patch line-level signals between a mixer output and an amplifier input or other professional audio equipment.
Can these XLR cables be used for DMX lighting applications?
While these cables physically fit DMX equipment, they're not ideal for DMX use. Audio XLR cables are typically 75-ohm impedance, while DMX requires 120-ohm impedance for proper signal transmission. Using audio XLR cables for DMX may work for short runs but can cause signal degradation, data errors, or unreliable lighting control over longer distances. The pros are immediate compatibility and cost savings if you already own these cables. The cons include potential signal issues, unreliable performance in critical lighting applications, and possible equipment damage in professional installations. For reliable DMX control, dedicated 120-ohm DMX cables are recommended.
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