The SAXLX-3 Blue XLR patch cables are designed for musicians, DJs, churches, recording studios, broadcasters, and schools who need reliable balanced connections in their PA systems and studio setups. This 6-pack provides enough cables to handle most rack-mount audio configurations and stage connections.

Each 3-foot cable delivers clean signal transmission through 22-gauge oxygen-free copper conductors, ensuring your audio stays pristine from mixer to amplifier or between rack-mounted processors. The shielded construction prevents unwanted noise and interference in busy electrical environments.

The heavy-duty rubber jacket withstands the rigors of live performance while maintaining flexibility for easy routing behind racks and around stage equipment. Male to female XLR connectors on each end create secure, professional connections that won't come loose during shows. The bright blue color coding helps with signal flow identification in complex multi-channel setups.

These balanced XLR cables work for connecting mixers to amplifiers, linking equalizers and crossovers in rack systems, or extending microphone runs on stage. The 3-foot length is ideal for rack-to-rack connections and short cable runs where longer cables would create clutter.

The female connector attaches to your source output and the male connector attaches to your destination input – no adapters needed. The 6-pack provides enough cables for a typical small studio monitoring setup.

Seismic Audio backs each cable with a one-year warranty and ships direct from our warehouse for fast delivery.

Technical Specifications

Frequently Asked Questions

What equipment can I connect with these XLR patch cables?

These cables work with any professional audio equipment that has 3-pin XLR inputs and outputs. Connect mixers to amplifiers, link equalizers and crossovers in equipment racks, extend microphone lines, or patch between studio monitors and audio interfaces.

Is 3 feet long enough for most rack connections?

Yes, 3 feet is the standard length for connecting equipment within the same rack or between adjacent racks. This length prevents cable clutter while providing enough slack for easy equipment access and maintenance. For connections across longer distances or to stage equipment, you'll want longer cables like our 10-foot or 25-foot options.

Why do I need shielded XLR cables?

Shielded cables prevent electromagnetic interference from power cables, wireless transmitters, and lighting equipment from contaminating your audio signal. In live sound environments with lots of electrical equipment, unshielded cables can pick up buzz, hum, and radio frequency interference that degrades sound quality.

Can I use these cables for both balanced and unbalanced connections?

These XLR cables are designed for balanced connections, which provide better noise rejection over longer runs. While they'll physically connect to unbalanced equipment with XLR jacks, you won't get the full noise-rejection benefits of balanced operation unless both connected devices support balanced signals.

Can these cables work for DMX lighting control?

While these cables will physically connect to DMX equipment, they're not optimal for DMX applications. DMX requires 120-ohm impedance cables, while audio XLR cables like these are typically 75-ohm. Using audio cables for DMX can cause signal reflections, data errors, and unreliable lighting control, especially over longer cable runs. For critical DMX applications, dedicated DMX cables are recommended to ensure proper data transmission and system reliability.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov