The SAXLX-50 delivers six professional-grade 50-foot XLR cables in high-visibility orange for musicians, DJs, churches, podcasters, schools, and recording studios who need reliable signal routing across extended cable runs. These balanced microphone cables handle everything from vocal mics to line-level connections between mixers, amplifiers, and processors.

Each cable features 22-gauge oxygen-free copper conductors that maintain signal integrity over the full 50-foot run, while heavy-duty shielding eliminates RF interference and electromagnetic noise. The flexible rubber jacket withstands repeated setup and breakdown cycles without compromising performance or developing stress points at the connectors.

Metal 3-pin XLR connectors (male to female) lock securely and resist corrosion, ensuring consistent connections show after show. The orange color coding makes cable identification instant during setup and strike, reducing mix-ups in complex installations.

These cables work for large church sound systems, outdoor festivals, conference installations, and touring rigs where longer cable runs are essential. The 50-foot length covers most stage-to-FOH distances while maintaining balanced signal quality.

The female connector connects to your source output and the male connector connects to your destination input, ready to connect microphones to mixers, link processing gear, or route signals between racks. The six-pack configuration provides complete cable management for multi-input systems.

Seismic Audio backs each cable with a one-year warranty, and orders ship fast to keep your rig running.

Technical Specifications

Frequently Asked Questions

What applications work best with 50-foot XLR cables?

These cables are ideal for extended stage-to-FOH runs, outdoor festivals with distributed sound systems, church sanctuaries with balcony or rear-mounted sound booths, and connecting stage racks to front-of-house processing gear in larger installations. The 50-foot length also works well for recording studios, broadcast facilities, and theater production where longer cable runs are essential.

Can these cables carry both microphone and line-level signals?

Yes, these balanced XLR cables handle both microphone-level signals from dynamic and condenser mics, as well as line-level connections between mixers, equalizers, crossovers, and amplifiers. The oxygen-free copper conductors and proper shielding maintain signal quality at both levels over the full 50-foot distance.

Why choose orange cables over standard black?

Orange cables provide instant visual identification during setup and troubleshooting, making them valuable for complex multi-input systems or installations where multiple engineers work with the same gear. The bright color reduces setup time and prevents cable mix-ups, especially important in touring situations or rental applications.

Can these cables work for DMX lighting control?

While these 3-pin XLR cables can physically connect to DMX lighting fixtures, they're not ideal for this application. Audio XLR cables typically have 75-ohm impedance, while DMX protocol requires 120-ohm cables. Using audio cables for DMX can cause signal reflections, data errors, and unreliable fixture control. For critical lighting applications, dedicated DMX cables with proper impedance matching are recommended.

How does the 22-gauge conductor compare to thinner cable options?

The 22-gauge oxygen-free copper provides better signal transmission and lower resistance than thinner 24 or 26-gauge alternatives, especially important over 50-foot runs. This heavier gauge maintains signal strength and reduces noise pickup, delivering cleaner audio whether you're running microphone signals or line-level connections between processing gear.

WARNING: This product can expose you to chemicals including Di(2-ethylhexyl)phthalate (DEHP), which is known to the State of California to cause cancer. For more information, go to: www.P65Warnings.ca.gov